During World War I, believing her fiance to be dead, a young ballerina loses her job and is forced to turn to prostitution. From there, things only get worse for her in this tragic, heart-wrenching, love story.
After Larry Darrent accidentally kills his lover's blackmailing husband, someone else is arrested for the crime. Larry and Wanda have just three weeks together before the trial and if the ... See full summary »
Queen Elizabeth is running this show. The men in her court should be thinking about how to add to the glory of the Elizabethan Age and how to foil those pesky Spanish who got far too much ... See full summary »
William K. Howard
Stefan and Dolly Oblonsky have had a little spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna's companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it's love at first sight when he looks at Anna and their eyes meet. Back in St. Petersburg they keep running into each other at parties. Since she has a husband and small son, they must be very discreet if they are going to see each other alone.Written by
Dale O'Connor <email@example.com>
One of eight movies available on the 2012, 2-DVD set, "British Cinema Collections: 8 Acclaimed Films". The movies are: Disc 1: Love Among the Ruins (1975), The Inheritance (1997), this movie, and Robert Louis Stevenson's St. Ives (1998). Disc 2: School for Seduction (2004), Dirty Pretty Things (2002), Rogue Trader (1999), and Rowing with the Wind (1988). See more »
Opening credits prologue (from the novel): CHAPTER 1 "All happy families resemble one another, every unhappy family is unhappy after its own fashion. Confusion reigned in the home of the Oblonskys". See more »
U.S. release version runs approximately 112 minutes. This is the version issued by Fox DVD in 2007. See more »
While certainly the vanities and indiscretions of upper crust Russia is examined by Tolstoy and it has been some time since I have read the lengthy novel, this version is certainly more memorable and effective than the Garbo version. I do agree with an earlier review in that Garbo herself, perhaps a bit too self-possessed and headstrong, could never represent the character of Anna, a woman carried away on passion, lust and impending tragedy.
Vivien Leigh is stunning in her facial expressions and vulnerable, almost exotic appearance, as we see her in a black gown, contrasted dramatically with other women who blend in the background to obscurity. The gowns and architecture of the era, the stark coldness and added texture of snowflakes, as a bas-relief to the portrait of Anna. Her close-ups particularly as she is in the train station in winter, foreshadowing her eventual fate.
Overall a beautiful film which is well worth viewing. Leigh is beautiful and tragic. 8/10.
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