Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Don Hewes and Nadine Hale are a dancing team, but she decides to start a career on her own. So he takes the next dancer he meets, Hannah Brown, as a new partner. After a while this new team is so successful, that Florenz Ziegfeld is interested in them, but due to the fact that Nadine Hale dances also in the Ziegfeld Follies Don says no. In spite of the fact that he is in love with Hannah, he keeps the relation to her strictly business. So Hannah is of the opinion that he is still in love with Nadine, and her suspicion grows when he dances with Nadine in a Night Club Floor Show.Written by
Stephan Eichenberg <firstname.lastname@example.org>
The dye from the feather on Judy Garland's hat in "Fella with an Umbrella" song ran all over her face and jacket, so they coated it with Vaseline. The feather looks different in two different shots. See more »
When Hannah is going to play "It Only Happens When I Dance With You" on the piano, she opens up the music. Music is only on the right side, but in the next shot there is music on both sides and neither Don or Hannah turned the page. See more »
[as he enters the apartment]
Essie, Nadine's Maid:
Oh, Mr. Hewes.
Hello darling! Where are you?
Oh Don, I've been trying to call you.
Uh, Essie, will you help me with these things please?
[laughs while struggling with several stacked boxes]
Thank you. Well, I got all tied up with an Easter rabbit. Hello sweetheart.
[...] See more »
Judy Garland sings "Mr. Monotony" in a sequence cut from the film. An excerpt from the number was included in That's Entertainment Part III (1994). The 2004 DVD box set release of all three That's Entertainment films includes a bonus DVD that includes the complete performance of this number. See more »
Don't you just love those old 40's musicals? Easter Parade is certainly one of the best, with Fred Astaire doing his amazing flashy but precise dancing, Judy Garland using her legendary voice to sing right from her heart into yours, and Ann Miller doing her own unique style of dancing and tapping while belting out great songs. And of course, everybody in the film uses any excuse to sing yet another song, usually dancing to it as well.
One of the special sequences has Fred Astaire dancing in slow motion while the rest of the cast dance at normal speed behind him! Sure, we can do that these days with computers, but remember this film was made in 1948!!
Of course there's the usual plot - Boy meets girl, they fall in love, have a misunderstanding, but get together again just in time for the big finishing number. That used to really get the audiences in, in those days, and they repeated that theme in every musical that ever was.
Any weak spots? Several of the film's routines seem a little amateurish by today's standards. For example, the waiter tossing his invisible salad just to do a bit of clowning seems a little contrived. Also, the film is supposedly set in 1912, so all the 1948 fashions and hairstyles are completely anachronistic - but what does that matter, after all, it's just an enjoyable romp.
I've given this film eight out of ten, but if I could just vote on Judy Garland's singing and Fred Astaire's dancing, I'd certainly give them ten out of ten. This is definitely a "must-see" film, just for those two incredible talents!
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