A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Don Hewes and Nadine Hale are a dancing team, but she decides to start a career on her own. So he takes the next dancer he meets, Hannah Brown, as a new partner. After a while this new team is so successful, that Florenz Ziegfeld is interested in them, but due to the fact that Nadine Hale dances also in the Ziegfeld Follies Don says no. In spite of the fact that he is in love with Hannah, he keeps the relation to her strictly business. So Hannah is of the opinion that he is still in love with Nadine, and her suspicion grows when he dances with Nadine in a Night Club Floor Show.Written by
Stephan Eichenberg <firstname.lastname@example.org>
The dye from the feather on Judy Garland's hat in "Fella with an Umbrella" song ran all over her face and jacket, so they coated it with Vaseline. The feather looks different in two different shots. See more »
Watch Hannah's hat in the "Fella With the Umbrella" scene. She makes it through the drops to the umbrella with her feather relatively unharmed. The shot changes to a close up and her feather is drenched. Later its standing up straight again, then down again. Its pretty obvious that the close up shots were filmed before or after the longer shots. See more »
[as he enters the apartment]
Essie, Nadine's Maid:
Oh, Mr. Hewes.
Hello darling! Where are you?
Oh Don, I've been trying to call you.
Uh, Essie, will you help me with these things please?
[laughs while struggling with several stacked boxes]
Thank you. Well, I got all tied up with an Easter rabbit. Hello sweetheart.
[...] See more »
Judy Garland sings "Mr. Monotony" in a sequence cut from the film. An excerpt from the number was included in That's Entertainment Part III (1994). The 2004 DVD box set release of all three That's Entertainment films includes a bonus DVD that includes the complete performance of this number. See more »
Any film starring Judy Garland, Fred Astaire and Ann Miller already has more going for it than most, but "Easter Parade" never manages to combine its many excellent parts into a particularly memorable whole.
Astaire was not supposed to make this film at all; Garland's expected co-star was Gene Kelly. The two had just scored a big hit with "The Pirate," a wonderfully over-the-top comedy featuring one of Garland's most hysterical performances, and the studio was hoping to create the same magic again. Unfortunately, Kelly was injured during rehearsals and Astaire came out of retirement to fill in.
Astaire would always be Astaire, but he was almost twice Garland's age (she was 26, I believe, and he in his early 50s). The difference shows--frankly, it's a little hard to believe that Garland's character would fall in love with this man, especially with the handsome, elegant Peter Lawford nearby. When Astaire dances, his age fades away, but many of his scenes with Garland are necessarily non-dancing, and Garland was a far superior actress and comedian. Observe them in "A Couple of Swells" near the end; she draws nearly all the attention. At times, you have to remind yourself that Astaire is also on the stage.
Nevertheless, the film is worth seeing, especially for such highlights as Ann Miller's dazzling solo, "Shaking the Blues Away." Other must-see elements: Garland's imitation of a blowfish on a busy street and the marvelously overblown production number, "The Girl I Love (is on a Magazine Cover)." Find me the restaurant large enough for a production like that!
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