Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the... See full summary »
A potentially violent patient in an insane asylum is calmed when he hears a nurse playing the piano. But shortly afterwards he breaks free, eludes his pursuers, and acquires a gun. He soon ... See full summary »
Charles Hill Mailes
A very pretty girl, is always surrounded by many male admirers, much to the dismay of one very shy fellow, who never can get a chance to speak with her. One day the girl visits a friend in ... See full summary »
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W. Chrystie Miller,
ARE YOU IN LOVE THIS WEEK? If you are - you'll get a double thrill from this most romantic of all love stories about a man who was in love with a girl who lived twenty years before his time. If you aren't - it may change your ideas on the subject for the rest of your life.
Producer David O. Selznick initially considered filming this movie over a period of several years, casting a young actress in the role of Jennie and shooting portions of the film over time as the actress actually grew older in real life. (Shirley Temple, then under contract to Selznick, was reportedly intended for the role, had the movie been filmed that way.) In the end, however, Selznick abandoned the idea as too risky and difficult to film properly. See more »
As Eben clings to Jennie on the rocks at the Land's End lighthouse, they speak to one another, but their lips either aren't moving or aren't in sync with what they're saying. See more »
Don't be soft, Matthews. I'm an old maid, and nobody knows more about love than an old maid.
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No credits at all are shown at the beginning except for the studio logo, not even the title of the film. Instead, we hear a narrator speaking the prologue, and then announcing, "And now, 'Portrait of Jennie'". The credits are saved for the end of the picture. See more »
During premiere engagements, the climactic storm sequence, along with being tinted green, was screened in Magnascope, an early widescreen format. The audio also changed from mono to an experimental multi-channel sound, to intensify the scene's overall effect. At the beginning of the sequence the curtains surrounding the screen would open, and the scene would fill the wider screen surface. At the end of the scene the curtains closed, and the remainder of the film was shown in its 1:1.37 ratio format, while the film's soundtrack reverted back to monaural. See more »
It's the middle of the Depression, 1934, and struggling artist Joseph Cotten can't seem to find his muse. But one day he meets a strange, but enchanting girl while in Central Park. He resolves right then and there to paint a Portrait of Jennie.
Allowing for the fact that this is a fantasy, a whole lot of the story makes absolutely no sense. But you really don't care because Joseph Cotten and Jennifer Jones have an almost spiritual like chemistry. As Cotten investigates he finds there's real good reason for the girl's spirituality. Every time he meets her she seems to take some quantum leaps in her maturity.
The stars of Finian's Rainbow, Albert Sharpe and David Wayne, both appear in this film. This was David Wayne's big screen debut and I certainly did love the scene where he bamboozles Sharpe into commissioning Cotten to paint a mural of Michael Collins for his Irish pub. Cotten catches on and kind of goes with the flow.
Being this is a Jennifer Jones film by her husband David O. Selznick, this is still another vehicle for Selznick to exhibit the beauty that was Jennifer Jones. Every film she did, because Selznick interfered with all of them even if he wasn't directly producing, is a testament to his vision of her. Even when she's playing bad girls like Pearl Chavez or Ruby Gentry, you get a good idea what stirred David O. Selznick to devote the rest of his life to her career.
Ethel Barrymore as the society dowager and Lillian Gish as a Mother Superior are also well cast. Too bad those two had no scenes together, that would have been something.
Portrait of Jennie is an enchanting film about an enchanting girl played by one enchanting actress. What else can you say, but enchanting.
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