Sir Alfred De Carter (Sir Rex Harrison) suspects his wife of infidelity. While conducting a symphony orchestra, he imagines three different ways of dealing with the situation. When the ...
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When the co-workers of an ambitious clerk trick him into thinking he has won $25,000 in a slogan contest, he begins to use the money to fulfill his dreams. What will happen when the ruse is discovered?
Temperamental saloon singer Freddie Jones, jealously shoots at her cheating boyfriend Blackie but mistakenly hits Judge Alfalfa J. O'Toole's honorable behind, forcing her to skip town under the guise of a schoolteacher.
Sir Alfred De Carter (Sir Rex Harrison) suspects his wife of infidelity. While conducting a symphony orchestra, he imagines three different ways of dealing with the situation. When the concert ends, he tries acting out his fantasies, but things do not go as well in reality as they did in his imagination.Written by
John Oswalt <email@example.com>
At one point, Detective Sweeney (Edgar Kennedy) mentions "that Italian guy". He is referring to Arturo Toscanini, one of the world's most famous conductors, who, at that time, led the NBC Symphony Orchestra in weekly concerts on the radio. Toscanini had previously conducted the La Scala Orchestra, the Metropolitan Opera Orchestra, and the New York Philharmonic. See more »
"Antigonish", a town in Nova Scotia, is mispronounced by an airline official at the beginning of the film. See more »
You see, some men just naturally make you think of Brut champagne. With others you think of prune juice.
You have nothing to laugh at!
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Unfaithfully Yours is a step down from his great masterpieces, Christmas in July, The Lady Eve, Sullivan's Travels, Hail the Conquering Hero, and Miracle at Morgan's Creek (I don't think I forgot any; I've seen all of his films which are now thought of as important except Palm Beach Story; I also haven't seen his film about Louis Pasteur or his final film, the one with Betty Grable, The Beautiful Blonde from Bashful Creek or some such title), but it is masterful nonetheless. Sturges' script is exquisite - it has one of the most unique structures I've ever come upon, which I will not ruin for any of you. It's also quite hilarious, as we can expect from the greatest comedy director of all times, American or foreign.
There are a couple of problems, though. The situation and structure are brilliant, but the main character, while we can understand his mental anguish, becomes too mean as the picture progresses. As much as he seemed to love his wife in the first act, it is difficult to believe, even under the circumstances, that he would be that cruel towards her. Even if I did buy his awful temper (this guy's worse than Othello), it really is hard to forgive him for being such a tremendous *sshole when he comes around at the end. The film also suffers from what has to be the longest extended slapstick sequence in film history. It starts out great, especially the bit with the phone operator, but as the guy breaks more and more stuff, it just gets old. Also, with the telephone bit, the fourth time was the charm - it got a big laugh from me, but the fifth time was really too much. All and all, despite these criticisms, it still comes off as a pretty great and memorable film from a true master. 9/10.
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