A contrived misunderstanding leads to the breakup of a songwriter and his fiancée. She returns to work as a gym teacher at an all-girls school, but a legal loophole allows the man to enroll as one of her students.
Ellen Hallet is in love with her playboy boss, Douglas Morrison, but is too timid to do anything about it. To help her, her roommate Chris decides to step in and devises a plan. Chris ... See full summary »
Three Broadway producers struggling to get backing for their show hope one's sudden inheritance of a half interest in a Parisian fashion house is the answer. They travel to Paris only to learn the salon is in debt and requires their help.
Scatterbrained Betty Barrett mistakes masseur Jack Spratt for Jose O'Rourke, the captain of the South American polo team. Spratt goes along with the charade, but the situation becomes more complicated when they fall in love. Meanwhile, Betty's sensible older sister Eve fears Betty's heart will be broken when Jose returns to South America. She arranges to meet with the real O'Rourke and love soon blossoms between them as well.Written by
Daniel Bubbeo <email@example.com>
A specially built, one-of-a-kind piano had been used during the early filming, but halfway through production it mysteriously disappeared from the set. Metro boss Louis B. Mayer was very upset at the lack of security and the increased production costs this would mean. Red Skelton told the studio head that he had an identical piano at home and would be willing to rent it to the studio. Mayer didn't believe him until Skelton drove him to his apartment to see it. An ecstatic Mayer offered $50 per diem for its use, but Red held out for $1000 a day. Faced with the prospect of keeping production waiting while a new one was built to order or reshooting the earlier scenes, Mayer capitulated. It never occurred to him that Skelton had stolen it with the aid of stagehands with whom he split the money. See more »
During the polo game at the end of the film, tire tracks from the camera car can be seen on the field right beside the players on horseback. See more »
I am astonished about the low rating of this movie! There are of course many musicals which are boring and this one - I admit - does not feature very much. No great songs (despite "Baby it's cold outside - Oscar!), no great dancing and absolutely no great acting. But there is something to make the film special: The comedic timing is perfectly, the gags drop fluently. The supporting roles are fantastic: Red Skelton at his best and the absolutely wonderful Betty Garrett to team him (they should have made more movies!). Xavier Cugat and his orchestra play enthusiastic samba rhythms, the decoration of the picture is bright and joyful! There is no single boring moment, the whole film is like a short trip to the Caribbean sea with a fancy cocktail in your hand!
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