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The Third Man (1949)

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Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.

Director:

Carol Reed

Writers:

Graham Greene (by), Graham Greene (screen play)
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3,451 ( 642)
Top Rated Movies #135 | Won 1 Oscar. Another 4 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
Joseph Cotten ... Holly Martins
Alida Valli ... Anna Schmidt (as Valli)
Orson Welles ... Harry Lime
Trevor Howard ... Maj. Calloway
Bernard Lee ... Sgt. Paine
Paul Hörbiger ... Karl - Harry's Porter (as Paul Hoerbiger)
Ernst Deutsch Ernst Deutsch ... 'Baron' Kurtz
Siegfried Breuer ... Popescu
Erich Ponto ... Dr. Winkel
Wilfrid Hyde-White ... Crabbin
Hedwig Bleibtreu ... Anna's Old Landlady
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Storyline

An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Carol Reed's Classic Thriller See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English | German | Russian

Release Date:

12 October 1949 (France) See more »

Also Known As:

The 3rd Man See more »

Filming Locations:

Austria See more »

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Box Office

Opening Weekend:

£17,856 (United Kingdom), 18 July 1999, Limited Release

Opening Weekend USA:

$13,576, 9 May 1999, Limited Release

Gross USA:

$449,191, 31 December 2015
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Carol Reed had three separate film units working most days of production: a daytime unit, a nighttime unit and a sewer unit. Reed insisted upon directing each unit, resulting in him working 20 hour days. See more »

Goofs

Upon arriving in Vienna, Martins says that he will be staying with Lime at Stiftgasse 15, which is in the Josefstadt section of the city. Lime's apartment, though, is located at Josefplatz 5 in the city's central district, directly across the street from the statue of Emperor Joseph II and about a mile away from Stiftgasse 15. See more »

Quotes

Harry Lime: Nobody thinks in terms of human beings. Governments don't. Why should we? They talk about the people and the proletariat, I talk about the suckers and the mugs - it's the same thing. They have their five-year plans, so have I.
Martins: You used to believe in God.
Harry Lime: Oh, I still do believe in God, old man. I believe in God and Mercy and all that. But the dead are happier dead. They don't miss much here, poor devils.
See more »

Crazy Credits

Opening credits prologue: V I E N N A See more »

Alternate Versions

The UK version features introductory voice-over by the director Carol Reed; in the US version Joseph Cotten provides the voice-over, as his character Holly Martins. The UK version runs 104 minutes, versus the US version at 93 minutes, which was cut by producer David O. Selznick to give the film a tighter pace. Both versions have been released on video in the U.S., but as of today the most common is the longer British cut. A video comparison between the narrations appears on the U.S. Criterion Collection DVD. See more »

Connections

Referenced in E! Mysteries & Scandals: Orson Welles (1999) See more »

Soundtracks

Das Alte Lied
(1931) (uncredited)
Music by Henry Love
Lyrics by Fritz Löhner-Beda
See more »

Frequently Asked Questions

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User Reviews

Time for Lime
18 June 2004 | by G_a_l_i_n_aSee all my reviews

Who was Harry Lime (Orson Welles)? An evil man, devil in the flesh who was responsible for the unspeakable crimes, yet brilliant, cheerful and charismatic. His most famous words, a short speech written by Welles himself, say a lot about his character and motivations:

"In Italy for 30 years under the Borgies they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock."

No wonder, we like him, even though we know what he'd done…

It has been said thousands of times about the greatest movie entrance ever – but what about his 'exit' – the fingers on the street? I think it is one of the greatest, too…

A beautiful mysterious girl with tragic past was in love with him and the unforgettable ending, so anti–Hollywood, so true to the film - was about her love that goes beyond the grave. I read that both Selznick (the producer) and author Graham Greene had initially argued for something more upbeat (Holly and Anna walking off arm-in-arm), but Reed disagreed. I am so happy that Reed won (I am sure millions of fans are, too). That was the way to finish the movie and make it much more than just typical noir. Makes the viewer think about love, friendship, betrayal, loyalty, the price one pays for them.

Amazing film - perfectly shot; almost flawless. It looks and feels like Welles himself could've made it. The influence of Citizen Kane is undeniable. The only problem I had – the music. I like it but it was very strange to hear it in the film like The Third Man. Maybe that was a purpose – instead of somber, moody, and ominous music that would be expected for the noir film, something completely different and out of place – cheerful but melancholy in the same time…

Criterion DVD is wonderful – the restored version of the film shines. There are two openings of the film available – British and American, and a lot of extras.


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