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In a Lonely Place (1950)

Not Rated | | Drama, Film-Noir, Mystery | August 1950 (USA)
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A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. But she begins to have doubts.

Director:

Nicholas Ray

Writers:

Andrew Solt (screenplay), Edmund H. North (adaptation) | 1 more credit »
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Popularity
1,008 ( 7,368)
1 win. See more awards »

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Cast

Complete credited cast:
Humphrey Bogart ... Dixon Steele
Gloria Grahame ... Laurel Gray
Frank Lovejoy ... Brub Nicolai
Carl Benton Reid ... Capt. Lochner
Art Smith ... Mel Lippman
Jeff Donnell ... Sylvia Nicolai
Martha Stewart ... Mildred Atkinson
Robert Warwick ... Charlie Waterman
Morris Ankrum ... Lloyd Barnes
William Ching ... Ted Barton
Steven Geray ... Paul
Hadda Brooks Hadda Brooks ... Singer
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Storyline

Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

THE BOGART SUSPENSE PICTURE WITH THE SURPRISE FINISH - (original poster) See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

August 1950 (USA) See more »

Also Known As:

Behind the Mask See more »

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Box Office

Cumulative Worldwide Gross:

$21,493
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Gloria Grahame, at the time, was estranged from her husband, Director Nicholas Ray. She would subsequently go on to marry her stepson, Ray's son from a previous marriage. See more »

Goofs

When Dixon and Laurel are in his car leading up to when he side-swipes another car, his left hand side window is not up. After the accident, when the other driver walks up to confront him, his side window is up. See more »

Quotes

Capt. Lochner: [Dixon has replied with sarcasm to Lochner's questions] You're told that the girl you were with last night was found in Benedict Canyon, murdered. Dumped from a moving car. What's your reaction? Shock? Horror? Sympathy? No - just petulance at being questioned. A couple of feeble jokes. You puzzle me, Mr. Steele.
Dixon Steele: Well, I grant you, the jokes could've been better, but I don't see why the rest should worry you - that is, unless you plan to arrest me on lack of emotion.
See more »

Connections

Referenced in Donald's Diary (1954) See more »

Soundtracks

I Hadn't Anyone Till You
(uncredited)
Written by Ray Noble
Performed by Hadda Brooks
See more »

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User Reviews

 
Classic Bogart, classic script, classic noir
11 March 2004 | by CountZaroffSee all my reviews

This is one of my all time favourite films, and (alongside the obvious - Casablanca, Maltese Falcon etc) my favourite Bogart.

The script is smart, witty and cynical, just like a typical Bogart character. But in this film Bogart plays probably his darkest character.

In some of the scenes with Gloria Graeme he's at his smooth, wisecracking, slightly irritable best, but in the moments where the anger and the fog of despair descends he is a more threatening character than in any of his other leading man roles.

The cynical, darker aspects of this film just go to highlight how few contemporary films are prepared to be so bleak.

Despite the fact that the plot is ostensibly a 'did he do it?' crime story, this is largely inconsequential to the psychological character and relationship study that is the central concern of the film.

If you like a cracking script with sharp performances, with all kinds of deep psychological observations on love and loneliness to be read into it, in the best noir tradition, this is the film for you.


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