Marcus Vinicius meets Lygia in Rome and falls in love. But she is Christian and doesn't want anything to do with him. Marcus decides to kidnap her but Ursus, her bodyguard, catches Marcus. ... See full summary »
Returning to Rome after three years in the field, General Marcus Vinicius (Robert Taylor) meets Lygia (Deborah Kerr) and falls in love with her, though as a Christian, she wants nothing to do with a warrior. Though she grew up Roman, the adopted daughter of a retired General, Lygia is technically a hostage of Rome. Marcus gets Emperor Nero (Sir Peter Ustinov) to give her to him for services rendered, but finds himself succumbing gradually to her Christian faith.Written by
John Oswalt <firstname.lastname@example.org>
Re-released by MGM in 1964 to pad its 40th Anniversary schedule. See more »
While Robert Taylor is making his speech in the arena, the dead bull is now missing. See more »
[as Marcus enters]
As usual your entrance is proud and aloof.
I came proudly as fast as my hands and knees will carry me.
And as always, sardonic and unassailable.
So happily, so unassailable? I've never been so readily expertly vanquished in my life.
I believe everything except the word vanquished.
[Suggestively while taking wine]
I should like to vanquish you Marcus.
Like the spider who eats her mate when he is no longer a necessity?
Mmm-Hmmm - Something like that.
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The DVD release restores the original overture and exit music, which, up until that point, was only heard in the original roadshow release and in the 1964 roadshow re-release. See more »
Grand visual spectacle, magnificent score and solid performances make this worth watching
Quo Vadis is a good movie, but I personally don't consider it a truly great one. I did find some of the religious aspects over-bearing, some of the script rather stilted(Petronious' philosophical lines excepted) and a little rambling and bloated in the story and pace. Problems aside, Quo Vadis is a film of visual spectacle and grandeur. You can never go wrong with sweeping cinematography, lavish scope, sets and scenery and colourful costumes and Quo Vadis succeeds in all these areas. Mervyn LeRoy directs excellently, while Miklos Rosza's score is absolutely magnificent. The performances are solid, Robert Taylor does a good job playing it straight and isn't too dull and Deborah Kerr is as ravishing as ever, but it is Leo Genn playing Petronious more than admirably and especially a superb Peter Ustinov as Nero that walk away with the picture. All in all, a solid film albeit not one without its flaws. 7/10 Bethany Cox
5 of 6 people found this review helpful.
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