Francis Barclay, a former member of the British Admiralty, who was captured in the early 1700s, and sold into slavery, by Andrew McAllister, and forced into piracy, enlists the aid of Dick ...
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During the War of 1812, the U.S. tasks Captain James Marshall to sail through the British blockade and bring back a French loan in gold but the secret leaks out and many greedy hands, including the mutinous crew's, are after the gold.
Francis Barclay, a former member of the British Admiralty, who was captured in the early 1700s, and sold into slavery, by Andrew McAllister, and forced into piracy, enlists the aid of Dick Lindsay, to help him invade MacAllister's fortified island. The latter falls in love with MacAllister's daughter,Christine. Complications arise as the man thought to be a nephew of one man may not be, and the daughter one one man may be the other man's daughter.Written by
Les Adams <firstname.lastname@example.org>
Trite script, hokey direction but OH, those production values!
However grim the subject (in this case, the slave trade), a little sense of humor can take off the edge. Unfortunately, "Caribbean" doesn't offer that much needed sense of humor. John Payne makes a surprisingly bland hero, much in contrast to his wonderful turn in Tripoli. Arlene Dahl, gorgeously decorative, really hokes this one up. One can only imagine what Maureen O'Hara or Rhonda could have done with the part. Even the key supporting players fail to impress, with the exception of the extraordinary Cedric Hardwicke, and actor who probably never gave a bad role. One could only imagine how could "Caribbean" could have been with everyone else performing to Hardwicke's fine standards.
The script is episodic and badly paced. The duologue is so forgettable, it might as well have been a silent movie with "matinee cards". Nonetheless, one cannot help but marvel at the gorgeous production values of this superb use of Technicolor, miniatures and costumes. In fact, the beast way to see "Caribbean" is silent, with some really good orchestral music off YouTube. The plot is so predictable and obvious, you wouldn't miss the duologue and you would be spared a musical score more appropriate for a 20s silent film. You'd also miss repeated use of the "N" word, which has become so derogatory, schools have tried to censor it from Mark Twain.
Nonetheless, on the strength of Hardwicke's performance and aforementioned production values, I give "Caribbean" a "6".
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