7.0/10
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Rancho Notorious (1952)

Approved | | Western | 12 May 1952 (UK)
After the murder of his fiancée, a Wyoming ranch hand sets out to find her killer.

Director:

Fritz Lang

Writers:

Daniel Taradash (screenplay), Silvia Richards (original story)
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Cast

Complete credited cast:
Marlene Dietrich ... Altar Keane
Arthur Kennedy ... Vern Haskell
Mel Ferrer ... Frenchy Fairmont
Gloria Henry ... Beth Forbes
William Frawley ... Baldy Gunder
Lisa Ferraday ... Maxine
John Raven John Raven ... Chuck-a-Luck Dealer
Jack Elam ... Mort Geary
George Reeves ... Wilson
Frank Ferguson ... Preacher
Francis McDonald ... Harbin
Dan Seymour ... Comanche Paul
John Kellogg ... Jeff Factor
Rodd Redwing ... Rio (as Rodric Redwing)
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Storyline

A western based on the story "Gunsight Whitman" by Silvia Richards. Vern Haskell, a nice rancher, seeks out to avenge his fiancé's death when she is killed during a robbery. His revenge leads him to Chuck-a-luck, Altar Keane's ranch set up to hide criminals, and he finds more than he bargains for. Written by Andre'a M. Thompson <athompso@ziggy.st.hmc.edu>

Plot Summary | Add Synopsis

Taglines:

Where anything goes...for a price! See more »

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

12 May 1952 (UK) See more »

Also Known As:

Chuck-a-Luck See more »

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Box Office

Budget:

$900,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Director Fritz Lang had originally planned to call this film "Chuck-a-Luck". However, studio head Howard Hughes insisted that its name be changed to "Rancho Notorious", and when Lang asked why, he was told that it was because non-Americans (Europeans) wouldn't understand what "Chuck-a-Luck" (a gambling game commonly played in saloons in the Southwest) meant. Lang replied, "Well, it's a good thing that they all know what 'Rancho Notorious' (which has nothing to do with anything in the film) means!" See more »

Goofs

When Altar and Frenchy argue about her going away, the close up shows them with shoulders in parallel. After the cut to medium, her left shoulder is instantly pressed against his chest. See more »

Quotes

[first lines]
Vern Haskell: [after the opening title song ends with the line, "the old, old story of hate, murder, and revenge," breaking away from a kiss] There's nothing like that to make a man feel agreeable.
Beth Forbes: Especially in the middle of the day. Why'd you come in town?
Vern Haskell: To kiss you.
See more »

Connections

Referenced in Marlene (1984) See more »

Soundtracks

Legend of Chuck-A-Luck
Music and Lyrics by Ken Darby
Ballad Sung by Bill Lee (as William Lee)
See more »

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User Reviews

Could have been deeper and more complex but is still an enjoyable genre film
25 September 2005 | by bob the mooSee all my reviews

When his fiancé Beth is raped and murdered during a robbery, peace-loving rancher Vern Haskell sets out to track down the man that did it. Driven by a desire for revenge more than justice, Haskell follows the trail to a casino and bordello called Chuck-A-Luck. Here he follows his leads to Alter Keane and gunslinger French Fairmont; they take him onto their staff at their horse ranch and gang HQ and Haskell hopes to use his cover to get his closer to finding out who it was that raped his girl. However in keeping his cover, Haskell finds himself drawn into their world more and more.

The staples of westerns of the period are all here – revenge, Technicolor, songs and romance; however this film opens with a rape (and it is fairly obvious that it was a violent rape) and a nice man who descents into violent anger. In a way the film makes this its central theme but it doesn't continue in this very strong vein and softens it somewhat with the addition of romance and musical interludes. From here on in it is still enjoyable but never marks itself out as more than a solid genre western; the complexities that I had hoped would consume him were not to be found in Haskell to any great degree. Despite this the plot still works well enough to engage and the gruff pace avoids sentimentality and makes the tough romance easier to swallow in context. The action is roundly enjoyable and Lang directs well within the sets, providing some good shots that stick in the mind.

The cast are mixed but generally meet the standard required of them. Dietrich may have demanded she be made to look as young as possible but her age helps stand her apart from the usual love interest actresses. She is tough and enjoyable in her role but I could have done without the songs. Kennedy is reasonably good but not too comfortable with his character – he is either a white knight or a gurning ball of rage; subtlety is not his key word. Ferrer is lively and fun and makes more of his character than the genre usually allows the "other man" character to do. Support from Elam, Reeves and others is all solid enough to make it work.

So an enjoyable genre western then but a bit disappointing for throttling back after such a tough start. The standard revenge plot is made more interesting by the change in Haskell but it could have been better; meanwhile the usual action, songs and romance all work pretty well and will easily please genre fans.


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