Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Daisy Kenyon (Joan Crawford) is a commercial artist living in New York City and having a 'back street' affair with a married lawyer, Dan O'Mara (Dana Andrews), whom she hopes to marry as ... See full summary »
Actor Lester Blaine has all but landed the lead in Myra Hudson's new play when Myra vetoes him because, to her, he doesn't look like a "romantic leading man." On a train from New York to San Francisco, Blaine sets out to prove Myra wrong...by romancing her. Is he sincere, or does he have a dark ulterior motive? The answer brings on a game of cat and mouse; but who's the cat and who's the mouse?Written by
Rod Crawford <email@example.com>
According to Jack Palance, Joan Crawford and Gloria Grahame did not get along and got into a physical altercation at one point during the filming. The fight started after Grahame sat on the edge of the set during one of Crawford's close-ups and very loudly sucked a lollipop in an attempt to anger Crawford. It worked, and Palance noted that the all male crew watched the fight for a few moments rather curiously before stepping in to break it up. See more »
The train leaving New York en route to Chicago is pulled by a streamlined steam locomotive of the Southern Pacific Railroad that was used in California. Later that evening, another scene at night in Pennsylvania shows a different type of locomotive pulling the train. The Southern Pacific locomotive is seen again pulling the train the next morning. Whilst approaching Chicago, Lester asks the conductor if he can get a ticket for the next train from Chicago to San Francisco. The conductor says he will check on getting a ticket on the California Zephyr. However, the two men are standing in the vestibule of car CZ-10, which IS a car that was the observation dome car on all California Zephyr consists. Whilst having breakfast on the Zephyr in the mountains of Colorado, Joan Crawford comments how much she enjoyed their tour of Chicago earlier that day, but, travel through Colorado would actually occur on the NEXT day, following an overnight journey from Chicago to Denver. See more »
The camera stays on an ornate pendulum clock, ticking time away as the credits appear. See more »
The previous 1999 DVD release was slightly altered. The sudden fear sequence eliminates only about 8 seconds but noteworthy ones, showing Joan Crawford's falling from a building, and being smothered by the Jack Palance character. These have been restored in the new 2016 Cohen Media Group blu-ray release. See more »
They Knew How to Make Movies in 1952 (not anymore)
This picture, as well as the re-issue of KING KONG, were the first two movies to be heavily advertised on television. A big success for RKO Radio Pictures. Being an RKO Picture you can expect lots of on-location photography and seeing places like New York and San Francisco as they were 55 years ago adds to the appeal of this fine movie.
SUDDEN FEAR was nominated for 4 Academy Awards (given in 1952 for high quality rather than political opinion), and this recognition was well deserved. An obvious -- and pretty successful -- imitation of Hitchcock this movie is one of the best murder mysteries ever made. I've never seen Joan Crawford or Jack Palance play better roles. David Miller's direction is inspired. And the black and white cinematography meets the highest standard.
Since they haven't yet made a good movie in 2008, and apparently intend to continue a 90% diet of so-called action movies --- utterly lacking in courage or purpose, where the hero solves made-believe problems by using computer animation instead of brains... Don't get me started. Just go back to the good ones, rent the DVD of Sudden Fear.
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