Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Two volunteer firemen rescue a gold prospector from suicide. However, once they discover that the police mistakenly want them for murder, they travel with the prospector to Alaska to help ... See full summary »
Slim and Tubby are American cops in London to study police tactics. They wind up in jail and are bailed out by Dr. Jekyll. Jekyll has been murdering fellow doctors who laugh at his experiments. He has more murders in mind. At one point the serum that turns Jekyll into the murderous Hyde gets injected into Tubby.Written by
Ed Stephan <email@example.com>
Despite clearly being a departure from the usual Jekyll/Hyde story, two classic characters are referenced. The victim of Hyde in the opening scene is Dr. Poole. In previous versions, Poole is the name of Jekyll's butler. Jekyll also mentions a Dr. Lanson, who is clearly a reference to Jekyll's good friend Dr. Lanyon See more »
In the Hyde Park sequence, when Abbott and Costello fall through the pothole, the carpet covering the pothole is clearly visible as they try to pull themselves out. See more »
Now look! You can't make two persons out of one. If there's a monster, there's a monster. If there's a Dr. Jekyll, there's a Dr. Jekyll. But one can't be the other.
Now listen Slim. All I know is that I locked up the monster and when I came back, Dr. Jekyll was there. You know I'm no magician.
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Whenever I see this I see it through Rose-tinted Spectacles: because I first saw it as a kid nostalgia kicks in and all faults are forgiven. There's quite a few of A&C's in that list, The Lost World (1960) springs to my mind as a different another. It certainly helps because in places this is laughably bad, but of course those bits were likely thrown in just for the kids! On the other hand there are some effective atmospheric moments, the set pieces usually work and the overall production values were good. You know the story - good cop bad cop. The classic 4-round-the-chimney routine still holds up, and the very last gag in the film should leave you smiling - unless you have watched this movie all the way through against your will.
Over here, it's fashionable and even de rigueur for film critics (and buffs) to denigrate the entire A&C canon as anything from utterly worthless to as unfunny as death (no kidding!) along with Britain's wartime box office no.1, George Formby. Without watching a single film sometimes. Pity the blinkered high brows as not being quite complete human beings, at always having to view such harmless fun in an Artistic light. Or maybe pity ordinary people who hate A&C but feel they have to force themselves to sit through this and then unload their bile.
Sure, times change (from innocent to cynical) - Jekyll/Karloff passionately says to Vicky that he'd loved her since she was a child - putting a whole new psychological slant on his persona. Has that been cut out yet? And any comedic aspect of animal experimentation has thankfully gone of course - hasn't it? A&C haven't changed, these are typical late performances from them, only with not so many memorable lines.
If you can see this simply as knockabout Jekyll and Hyde with 2 bumbling American policemen in London and nothing more you'll do OK like me.
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