Nora Taylor has $37,000,00 but thinks every man she meets prefers her bankbook figure to her own, and that include her current fiancé, Paul Chevron, who has $48,000,000 of his own. Paul ...
See full summary »
Snooty opera singer meets a rough-and-tumble fisherman in the Louisiana bayous, but this fisherman can sing! Her agent lures him away to New Orleans to teach him to sing opera, but comes to... See full summary »
An American tanker is sunk by a German U-boat and the survivors spend eleven days at sea on a raft. They're next assigned to the liberty ship "Sea Witch" bound for Murmansk through the sub-stalked North Atlantic.
Ambrose C. Park (Red Skelton), left on a park bench as an infant with an impulsive need to find his parents, is an assistant to a diamond cutter. Shyster lawyer Remlick (James Whitmore), in... See full summary »
In this hilarious romp starring Tom Ewell, Sheree North and Rita Moreno, a middle-aged ex-serviceman who plans to re-enlist (Ewell) is shocked to learn that not only did he fail his medical... See full summary »
A screwball comedy in the vein of His Girl Friday (1940). Jerry and Connie are ace reporters for rival newspapers. They are engaged to be married, but their employers try every trick in the... See full summary »
Nora Taylor has $37,000,00 but thinks every man she meets prefers her bankbook figure to her own, and that include her current fiancé, Paul Chevron, who has $48,000,000 of his own. Paul goes to Brazil to play some polo, and Nora follows along. There, she meets and falls for Roberto Santos, whom she thinks has no money, who is really overjoyed when he discovers she has a lot of money. This depresses her somewhat. But, this being a big-budget MGM film, which means that the two top-billed characters have to end up together, winds up with Metro-plot-218 that says Roberto has a few potatoes (or bananas) of his own and is just pleased to find out she isn't a gold digger after his money. The rich get richer and the poor need not apply.Written by
Les Adams <firstname.lastname@example.org>
Exteriors in which Polo is being played were filmed at the former Pacific Palisades estate of humorist Will Rogers, whose widow left their house and polo grounds to the state of California. Before it became a state park, Rogers' ranch was often the setting for polo games played by Hollywood's best-known stars, among them Spencer Tracy, Joan Crawford and Franchot Tone. See more »
[sees the horse]
Exactly what I had in mind.
[looks at the rider Roberto, played by Ricardo Montalban]
Yes... yes indeed!
See more »
The Merry Widow Goes To Brazil! Where's Fernanado?
This movie came right on the heels of The Merry Widow and was suppose to reunite Lana and Fernando for one more film, but - uh - complications arose! So, Lana Turner tells it in her autobiography, they were at a party and Lex Barker asked Lana to dance with him, and she didn't know how jealous Fernando could be and she accepted, and after the dance, he thanked her and Fernando said something like "Why don't you take her in the bushes and f--- her!" Then they went home and an argument took place and Fernando beat her up and caused bruises all over body. So, she reported this to the studio with the claim that she would not make the movie with Fernanado, and so they replaced him with Ricardo Montalban a very devout Catholic and would not, in any way, have an affair with Lana. So, later on Fernando never knew why he was taken off the picture. Well, according to Esther Williams, who would later marry Fernando; in her autobiography she stated that Lana would yell out in her doorway of her dressing room, "Fernando, you get your f----ing Argentine ass in here!" And, also, according to Esther Williams, she placed a glass on the wall of her dressing room and heard Lana moaning "Ohhhhhh! Fernado!!!!!!" And that Lana at times would take a leather belt to her body and put the bruises on her legs and body herself and claim it was someone else! And to prove that Fernando didn't ever lay a hand on Lana, he successfully stayed married to Esther Williams until the day he died! Oh!!!! For those old days when we had these colorful genius that made those great movies! Where are these colorful genius' today? Don't have any! Anyway, true, this movie is very entertaining, but it's really just a rehash of The Merry Widow in many ways, and if you notice, when Lana hears Ricardo singing, the same lighting, the same look on her face before they do the Samba together. One thing that not too many people never knew about Lana Turner is that she was an excellent dancer, and only showed signs of it in The Merry Widow and Latin Lovers, but the ending is kinda unrealistic. If she "did" give the money to Ricardo, I'm sure she was smart enough to keep most of it for herself with him knowing about it! After all, he didn't know how money she had! By the way, that was not Ricardo singing. He can sing, but that wasn't his voice and you almost expect them to repeat "Baby It's Cold Outside" and of course, I'm surprised that in many of the scenes Lana never once said those famous lines, "Oh! Ricardo! No!" Oops! That was the line used by Esther Williams! And speaking of Esther Williams, since movies like this usually have guest movie stars in them, I'm surprised that Esther didn't do some kind of Brazilian Samba Water Ballet in it! Not Lana's best, but a nice diversion on a boring weekend afternoon with nothing to do!
9 of 16 people found this review helpful.
Was this review helpful to you?
| Report this