During the 1900 Boxer Rebellion against foreigners in China, U.S. Marine Major Matt Lewis, aided by British Consul Sir Arthur Robertson, devises a strategy to keep the rebels at bay until an international military relief force arrives.
The story of president Andrew Jackson from his early years, the film begins when he meets Rachel Donaldson Robards. The plot concentrates on the scandal concerning the legality of their marriage and how they overcame the difficulties.
The intertwined lives of two kindred souls with ambition begins when Captain Whip Hoxworth discovers that Nyuk Tsin has been smuggled aboard as part of cargo on The Carthaginian, which he ... See full summary »
It's 1901. At 19, tough, stubborn Christopher Leiningen came to South America and built levees to claim thousands of acres of Rio Negro river land for a chocolate plantation. Now 34, with no knowledge of women, he recruits a mail-order bride in New Orleans. She's beautiful, independent, and arrives ready to be his stalwart helpmate; however, no one has told him she's a widow. He rejects her. During the next week, as she awaits the boat to take her back to the US, they learn that legions of army ants will strike in a few days' time. She joins the fight to save the plantation; their courage and his probable loss of all he's worked for may crack his resolve to send her away.Written by
Now that I've seen this film in its original glorious color -- It's NOT a science fiction B movie at all, but a very good tale of a male/female battle of wills superseded by a battle between humans and nature. The human threat is redheaded, and the ants - the threat from nature - are red. Red Scare, anyone? Eleanor Parker is accomplished, elegant, and ravishing. (Perhaps it strains credibility that anyone would have the luck to send off for a 'mail order' bride and get HER.) Heston looks good too. His acting must have improved later with the help of William Wyler: he and Parker were only 2 years apart in age, but he comes across as a greenhorn by comparison. But he's as magnetic as ever and the direction and script are top drawer. It's also a pleasure to look at the mores of the 1900s through the filter of 50s Hollywood.
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