6.5/10
126
4 user 1 critic
The amorous career of a courtesan and how she met her death at the hands of a rejected lover.

Director:

Christian-Jaque

Writers:

Christian-Jaque (screenplay), Jean Ferry (screenplay) | 3 more credits »
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Cast

Cast overview, first billed only:
Charles Boyer ... Comte Muffat
Martine Carol ... Nana
Walter Chiari ... Fontan
Paul Frankeur ... Bordenave
Elisa Cegani Elisa Cegani ... Comtesse Muffat
Jean Debucourt ... Napoléon III (as Jean Debucourt sociétaire de la Comédie Française)
Marguerite Pierry Marguerite Pierry ... Zoé
Dario Michaelis Dario Michaelis ... Fauchery
Dora Doll ... Rose Mignon
Palau ... Venot (as Pierre Palau)
Luisella Boni Luisella Boni ... Estelle
Jacqueline Plessis Jacqueline Plessis ... Impératrice Eugénie
Germaine Kerjean Germaine Kerjean ... La Tricon
Nerio Bernardi ... Prince de Sardaigne
Jacques Tarride Jacques Tarride ... Mignon
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Storyline

The amorous career of a courtesan and how she met her death at the hands of a rejected lover.

Plot Summary | Add Synopsis

Taglines:

Emile Zola's Immortally Immoral Classic of the Most Famous of All French Courtesans...

Genres:

Drama | Romance

Certificate:

See all certifications »
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Details

Country:

France | Italy

Language:

French

Release Date:

26 July 1955 (France) See more »

Also Known As:

Naná See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Connections

Version of Nana (1934) See more »

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User Reviews

 
Now I understand why the Nouvelle Vague was so necessary.
6 May 2005 | by NaneauxSee all my reviews

I waited a long time to see this adaptation of Zola's famous novel but was really disappointed by the slow pace, the stilted dialogue (badly subtitled as well, in the VHS tape I saw) and the unimaginative camera work. It's pretty clear that this is precisely the type of post-WWII studio film against which Truffaut and Godard rebelled. And thank God they did, because their work is so much more interesting than period potboilers like this one. Martine Carol is vivacious and charming, but with limited acting ability. To be fair, "Nana" is the type of actress who is renowned for her fabulous body and her bold display thereof, rather than for any kind of musical or dramatic skills. (Sound familiar, Hollywood?) Also, as a plus, the film is very frank about how Nana earns a living outside of her stage appearances, and how her entourage skims off her fees by providing either information or access. I found this candor refreshing since most Hollywood movies of this era are very coy about whoring. Think about the presentation of Jo Van Fleet in "East of Eden," for example. Charles Boyer plays the male lead here, a hypocritical aristocrat in the Emperor's employ, but it's an unsatisfying part. It's all about "Nana," and in the end, being the selfish little baggage she is, she would prefer it that way.


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