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On the Waterfront (1954)

Not Rated | | Crime, Drama, Thriller | 22 June 1954 (Japan)
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An ex-prize fighter turned longshoreman struggles to stand up to his corrupt union bosses.

Director:

Elia Kazan

Writers:

Budd Schulberg (screenplay), Budd Schulberg (based upon an original story by) | 1 more credit »
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3,534 ( 628)
Top Rated Movies #146 | Won 8 Oscars. Another 21 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marlon Brando ... Terry Malloy
Karl Malden ... Father Barry
Lee J. Cobb ... Johnny Friendly
Rod Steiger ... Charley Malloy
Pat Henning Pat Henning ... Kayo Dugan
Leif Erickson ... Glover
James Westerfield ... Big Mac
Tony Galento Tony Galento ... Truck
Tami Mauriello Tami Mauriello ... Tillio
John F. Hamilton John F. Hamilton ... 'Pop' Doyle (as John Hamilton)
John Heldabrand John Heldabrand ... Mott
Rudy Bond ... Moose
Don Blackman Don Blackman ... Luke
Arthur Keegan Arthur Keegan ... Jimmy
Abe Simon Abe Simon ... Barney
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Storyline

Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

A story as warm and moving as GOING MY WAY...but with brass knuckles! See more »

Genres:

Crime | Drama | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 June 1954 (Japan) See more »

Also Known As:

The Hook See more »

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Box Office

Budget:

$910,000 (estimated)

Gross USA:

$9,600,000
See more on IMDbPro »

Company Credits

Production Co:

Horizon Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Many real longshoremen from Hoboken, New Jersey were used as extras. See more »

Goofs

When Father Barry (Karl Malden) gets hit in the head with a beer can, he gets a cut on his forehead, which bleeds visibly in the scene. In subsequent scenes, there is no sign of the cut or of a bandage to show that he had been hurt. See more »

Quotes

[first lines]
Johnny: [to Terry] You take it from here, Slugger.
See more »

Crazy Credits

Opening credits are shown over a bamboo-type mat background. See more »

Alternate Versions

Criterion Collection Blu-ray Disc release exhibits the film in 1.66:1, which is widely regarded to be the "correct" aspect ratio for the film. However, a second disc includes the film in 1.33:1 AND 1.85:1, so that viewers can watch the film in the different ratios. See more »


Soundtracks

Here Comes the Bride
(uncredited)
Written by Richard Wagner
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Frequently Asked Questions

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User Reviews

Great film with troubling political overtones
12 November 2001 | by mcregoSee all my reviews

There's no question that Elia Kazan and Marlon Brando are at their very best in "On the Waterfront". Kazan led a cast of solid talent in a morality play amidst the backdrop of the Depression-era New York waterfront. Brando, much calmer than in his mercurial performance in "A Streetcar Named Desire" (also directed by Kazan), personifies the best in "Method" acting, perfectly engaging the viewer with his genuineness as Terry Malloy.

In the most famous scene, Brando, a has-been prizefighter, confronts his brother (Steiger) who is about to set him up to be executed by the mob bosses of the union. When Steiger reveals his intent to set Brando up, the scene explodes with reality and pathos. Brando's words, "Wow", sum up the intensity and emotion of the scene.

Great acting and directing, however, cannot cover up the transparent political/apologetical intent of the movie. Two years earlier, Kazan had sold out his integrity to the House Unamerican Affairs Committee (HUAC), "naming names" of those who would become the blacklisted Hollywood 10. Kazan, a former communist himself, regretted his involvement with the Party, and evidently decided it was politically advantageous to name his former associates. Likewise, Brando character Malloy finds himself in a mob-run labor union, and in his effort to 'get out', repeats much of what Kazan did in real life. Worse, Kazan, through the allegorical message of the film, brands his former writers as criminals and murders, and himself as the naive innocent. Being a communist was no crime in the 30s, and he was no innocent.

"On the Waterfront" is thus steeped in a right-wing political worldview. Mobs run labor unions. Unions are thus corrupt organizations who exploit workers and make it harder for businesses to thrive. Turn in union leaders into the police. Even the church becomes a tool of the state to further the cause of the police against the union.

Brando was never satisfied with "On the Waterfront". In fact, he later commented that it was indeed a tool for Kazan to justify his actions to the HUAC. One thumb up for the acting, one thumb down for the cheap political message.


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