Professional photographer L.B. "Jeff" Jefferies breaks his leg while getting an action shot at an auto race. Confined to his New York apartment, he spends his time looking out of the rear window observing the neighbors. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff enlists the help of his high society fashion-consultant girlfriend Lisa Freemont and his visiting nurse Stella to investigate.Written by
Col Needham <firstname.lastname@example.org>
The entire movie was shot on one set, which required months of planning and construction. The apartment-courtyard set measured ninety-eight feet wide, one hundred eighty-five feet long, and forty feet high, and consisted of thirty-one apartments, eight of which were completely furnished. The courtyard was set twenty to thirty feet below stage level, and some of the buildings were the equivalent of five or six stories high. This movie was shot quickly on the heels of Dial M for Murder (1954), November 27, 1953 to January 13, 1954. See more »
When Lisa closes the shades, she doesn't close the shade for the side window on the left. When the camera pans left to show Jeff, the far-left shade is down. See more »
Voice on radio:
Men, are you over 40? When you wake up in the morning, do you feel tired and rundown? Do you have that listless feeling...
[the camera pans around the courtyard; cut to later in the day]
For getting rid of that cast!
Who said I was getting rid of it?
This is Wednesday; seven weeks from the day you broke your leg. Yes or no?
Gunnison, how did you ever get to be such a big editor with such a small memory?
[...] See more »
In addition to the aforementioned "dream sequences", in 1986 Universal also padded the running time by slowing down the action during the main titles. The shades rolled-up so slowly that there was time to play the main title music twice. See more »