A Canadian living in London is trying to succeed as a prizefighter, without much luck. He meets the sister of a local mob leader, and she soon draws him into the gang's activities. When he ... See full summary »
Amanda Dartland accompanies her half-Apache husband Jonathan to a mining community where he will supervise the excavation of an almost mythical Apache treasure. His jealous rages and macho attitude cause her much misery, while the excavation project is threatened by prejudice and fear. Amanda tries to bridge the cultural gap, and Jonathan must do the same, or he will lose her. Mesmerizing brief performance by Celia Lovsky as Princess Saba.Written by
Molly Malloy <firstname.lastname@example.org>
[Indicating, to a tour group, a gathering of young Apache boys on the Reservation]
A child here has little contact with his father who, in the old days, was usually away hunting. Today, the father is still much away. He works on the Reservation cattle range. As you see, the little boys play, and have few responsibilities. But there comes a day when they are twelve. Here is a little one, ready to leave his mother and go with the men. From now on, he will work and hunt with the men. Eat and live ...
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I think it's the sensational color and the locations that lure me to this film. The time period fits well into it also. The deeply saturated blue sky and the arid desert draw me in like a magnet. In 1955 I was ten years old, and numerous rail trips through the west, with stops in Tucumcari, New Mexico, are brought to mind with films like this one. I recently visited Oatman, Arizona, where much if not all of this film was shot, only because of the film. Of course as would be expected, I found nothing in Oatman identifiable with the film after all these years, except the deep blue sky and the arid desert. Jeff Chandler was always a favorite, and his role as a strong silent mining engineer of American Indian heritage, plays well with Jane Russell's role as a rich bored adventurous young woman, almost a forerunner of "Green Acres" without the laughs. All of these sensory elements entice my 10 year old's psyche to the surface. The film offers great release for me. In 1955 one of the railroads used a young Indian boy's image as a logo, and General Motors Pontiac division used a similar theme. I was fascinated by Indian lore at the time, and the mystery and remembrance of it all comes into relative focus with this film. Not a film for everyone, but as far as I am concerned, they made this one for me.
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