6.0/10
233
6 user 1 critic

Beyond Mombasa (1956)

An American travels to East Africa, where he tries to find out how his brother died.

Director:

George Marshall

Writers:

James Eastwood (story "The Mark of the Leopard"), Richard English | 1 more credit »
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Cast

Credited cast:
Cornel Wilde ... Matt Campbell
Donna Reed ... Ann Wilson
Leo Genn ... Ralph Hoyt
Ron Randell ... Eliot Hastings
Christopher Lee ... Gil Rossi
Dan Jackson Dan Jackson ... Ketimi
Eddie Calvert Eddie Calvert ... Trumpet Player
Bartholomew Sketch Bartholomew Sketch ... Native Boss
Clive Morton ... Irate Man
Rest of cast listed alphabetically:
Virginia Bedard Virginia Bedard ... Tourist's Wife
Edward Johnson Edward Johnson ... Dacall Chief
MacDonald Parke MacDonald Parke ... Tourist
Roy Purcell Roy Purcell ... George Campbell
Julian Sherrier ... Desk Clerk
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Storyline

During the 1950s, American adventurer Matt Campbell arrives in Kenya to join his brother George. George wrote to Matt and urged him to come to Kenya where a very lucrative business opportunity has arisen. After checking himself in a hotel, Matt is visited by a local missionary, by the name of Ralph Hoyt, who informs Matt that his brother George has recently been killed by a member of the Leopard Men religious cult. The cult's aim being the extermination of the White man in Africa. Matt also meets the missionary's pretty niece, anthropologist Ann Wilson and big game hunter Gil Rossi, a Frenchman who was George's business partner. Rossi implies that he, George and a man named Elliott Hastings jointly owned a mine in the bush country beyond Mombasa. Apparently, the mine contained something more precious than gold. However, missionary Ralph Hoyt tells Matt that the mine is most likely worthless and tries to dissuade Matt from seeking the mine. Nevertheless, a funeral for George is planned... Written by nufs68

Plot Summary | Add Synopsis

Taglines:

DISTANT DRUMS ECHO THE APPROACH OF THE GUN-LADEN SAFARI AND THE WHITE BEAUTY! (original print ad - all caps) See more »


Certificate:

See all certifications »
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Details

Country:

UK | USA

Language:

English

Release Date:

1 June 1957 (USA) See more »

Also Known As:

Black Mamba See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Sir Christopher Lee made his final fall stunt himself, and claimed to have ripped his arm on an outcrop of quartz in the process. See more »

Quotes

Ralph Hoyt: It's my burden to be sane in a demented age.
See more »

Connections

Referenced in Ladies and Gentlemen, Mr. Leonard Cohen (1965) See more »

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User Reviews

 
Truly beyond belief
15 December 2015 | by bkoganbingSee all my reviews

As Hollywood produced films about Africa now had to be shot in Africa for realism's sake since King Solomon's Mines and The African Queen I suppose that Cornel Wilde and Donna Reed were grateful for the safari adventure they got courtesy of Columbia Pictures for filming Beyond Mombasa. The location shooting in Mombasa and in the rest of what was then Kenya colony is this film's biggest asset.

Wilde is in Africa having been sent for by his brother who even made hotel reservations in Mombasa for him. Upon arrival he finds kindly missionary Leo Genn and his anthropologist niece Reed breaking the bad news about his brother's death at the hands of a revived cult of the Leopard. Wilde thinks it might have been the very real Mau Maus, but Genn says it's the leopard crowd.

Determined to get to the bottom of things, Wilde goes with Genn and Reed into the interior of Kenya, Beyond Mombasa to find where his brother might have found uranium. Their guide is another partner of the brother Christopher Lee and they're to join yet a third partner Ron Randell near the mine.

I can't say any more lest I spoil a most ridiculous plot turn. All I can say is that one of the cast has truly gone native.

I suppose a good safari is a good enough reason to be in one stinker of a movie.


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