The throne of rightful king of England, the small babe with the purple pimpernel birthmark, has been usurped by the evil King Roderick. Only the Black Fox can restore the true king to the throne--and all he needs is the king's key to a secret tunnel. And while he's trying to steal it, someone has to change the king's diapers. The task falls to Hawkins, the gentlest member of the Fox's band. The Fox's lieutenant, Maid Jean, guards Hawkins and the babe while they travel, but when they meet the King's new jester on the road, they decide to initiate a daring plan for Hawkins to replace him, become an intimate at the court, and steal the key. So, humble Hawkins becomes Giacomo: the king of jesters and jester to the king. But things begin to get zany when the King's daughter falls for Giacomo, the King falls for Jean, people randomly sing what are supposed to be recognition codes, and a witch with very effective spells (and poison pellets) begins to interfere.Written by
The "vessel with the pestle" routine was preceeded in 1948's Bob Hope movie The Paleface, when he twisted the advice given him by the bar patrons while stalking another gunfighter on the deserted city streets. See more »
Hawkins is pulling the glove off of Giacomo's raised hand and a camera angle change occurs, Giacomo's hand is against his body. See more »
Life could not better be / Better be, better be / It could not possibly / No sirrah, sir-rah, sirree! / Songs could not gayer be / Sound your do-re-o-mi, re-mi-fa-so-la-see, fa-la-la-la follow me! / Why be gloomy? / Cut thy nose off to spite thy face? / Listen to me / A nose is hard to replace! / Skies could not bluer be / Hearts in love truer be / I say for you or me / Life couldn't possibly, not even probably / Life couldn't possibly better be! Life could not better be / On a ...
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After the cast credits appear, Basil Rathbone's name slides onto the screen two more times, in large type used in ghost or horror films; and Danny Kaye each time knocks it off the screen. See more »
IMHO, one of the top funny films. I saw it when it first came out, and we enjoyed it so much, we nearly bought tickets to see it again, right away.
There are so many high points in the film that listing them would put me over quota. A close relative who's nearly humorless to this day says, "Get it? Got it. Good," when she wants to underscore a point she's made. Once in a while, I'll mutter "The vessel with the pestle..." when things seem to be getting a tad complicated. The film has impacted me significantly.
The lyrics of some of the sings are really good. "The Malajusted Jester" seems like something out of a Gilbert & Sullivan operetta.
This is doubtless Danny Kaye's comedic magnum opus. It isn't a "must see" (what is?) but if you haven't seen it, you're missing a lot.
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