When Adams and his crew are sent to investigate the silence from a planet inhabited by scientists, he finds all but two have died. Dr. Morbius and his daughter Altaira have somehow survived a hideous monster which roams the planet. Unknown to Adams, Morbius has made a discovery, and has no intention of sharing it (or his daughter!) with anyone.Written by
Robert Kinoshita, who is credited with building Robby the Robot, was also Art Director for the TV series Lost in Space (1965). Many of the "Lost in Space" robot's features are similar to Robby's: glass "head" with animated elements; rotating antenna "ears" (although the "Lost" robot's ears rarely moved after the pilot episode); flashing light "mouth"; chest panel with more animated elements. For that matter, much of the layout of "Forbidden Planet"'s spaceship is mirrored by "Lost"'s Jupiter 2: saucer shape; integral landing gear/entry stairs; lower external dome with animated lights; central, plexi-domed navigation station; vertical hibernacula arranged along perimeter. In addition, Robby and the "Lost" robot had a couple of "family reunions" in two "Lost in Space" episodes: Lost in Space: War of the Robots (1966) and Lost in Space: Condemned of Space (1967). See more »
There is nothing wrong with the ship landing around 83 degrees north latitude in the "deep Arctic" of the planet. This might be the habitable zone of the planet depending on its distance to its sun, it's angle of rotation, its geography. For example, the only place "habitable" on our own Mercury or Venue might be the "deep Arctic" zones of the planets. See more »
Robby the Robot:
If you do not speak English, I am at your disposal with 187 other languages along with their various dialects and sub-tongues.
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For the 1959 cinema re-release of MGM's Forbidden Planet (1956) to obtain the classification rating of (A) SUITABLE ONLY FOR ADULTS - CHILDREN UNDER 16 NOT ADMITTED the Australia Film Censorship Board ordered the elimination of "all shots of alleged nuclear monster" i.e. Australia Film Censorship Board insisted that the Id Monster is never seen, but you could see the footprints and the bending of the steps on the spaceship. The animated sequence of Forbidden Planet, showing the attack by the red colored "Id Monster", were created by the veteran animator Joshua Meador, who was lent out to MGM by Walt Disney Pictures. During the attack on the spaceship, the now visible Id monster (only the outline of the Id Monster is seen, colored red) as it tries to go through the electronic fence on the perimeter (the force field), and also because the Id Monster has been caught in the crewman's high-energy blaster beams. See more »
Well, of course, "Star Wars" defined the genre, and "Alien" and "Blade Runner" perfected it; but "Forbidden Planet" created it. Argue, if you must, that movies like "The Day the Earth Stood Still", "Them" and "Five Million Years to Earth" are the cerebral grand-fathers of the film genre (and I won't disagree with you), but for "science-fiction-as-plot-driven-action-epic," this is it. This is the one.
It's so unerringly on target, in fact, that it still plays very well even today. The modern audience has to overcome the "Leslie Nielsen Factor" (and it is difficult to watch him in a totally straight role), but once you do, the movie is pure enjoyment. Forget about dated plots and special effect. Robbie the Robot is a guy in a suit, yes, but he is thoroughly believable. He even adheres nicely to Asimov's Three Laws of Robotics, a trick that the digital robots in this summer's "I, Robot" had a great deal of difficulty with.
And the monster! I defy anyone to avoid getting the willies when the monster first shorts the security fence. Great special effect, then and now!
Finally, the universal theme of man's (and Krell's) individual flaws inserting themselves into an otherwise perfect system and TOTALLY gumming up the works is as relevant today as it was then. More so.
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