This movie is based on a true story as written in A.P. Scotland's autobiography "The London Cage". The plot has greatly exaggerated the actual events of A.P. Scotland's experiences, including the addition of a fictional love interest.
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In 1951, during the Korean War general retreat of United Nations Forces, a small British re-con platoon finds itself cut-off from the main British force.The platoon is led by Lieutenant Butler and Sergeant Payne. Corporals Ryker and Hodge are in charge of the men. After executing a search and destroy mission in an abandoned and booby-trapped South Korean village, the platoon heads toward rice fields, but finds itself surrounded by Chinese enemy troops. When sending for help becomes no option, Lieutenant Butler decides to closer investigate the isolated South Korean temple perched atop a steep hill. The temple seems to be a good defensible position for the platoon, but it's located at the top of the steep hill with only a sheer cliff to its rear.Written by
An unknown side of the Korean war - a U.N. British unit at peril
It's a small film but great in its making. The overwhelming credit of it is its absolutely perfect almost naturalistic realism, filmed in Korea and taking part of all the hardships of the soldiers at very close quarters. You get to know each of the soldiers individually, and MANY of them make unforgettable impressions. More of a curiosity is the presence of a very young Michael Caine among them as the youngest and the only blond one. He isn't noticed much and isn't seen much, but he is actually in it; while also Robert Shaw makes a very early and very palpable presence. The main characters though are Harry Andrews as stalwart and dominating in his imposing stature as ever, and Stanley Baker as the toughest and hardest of them. You don't like him, but in the end you must wonder if he wasn't right after all, while of course there is also the martyr, all lost and making his situation constantly more awkward in succeeding in doing everything wrong.
The settings are also quite impressing with the Buddhist monastery as a refuge, like a Korean Alamo for a last stand, but here there are actually some survivors; while the greatest quality of the film is the indivdual close-up attention given to everyone of these forgotten heros.
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