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Three Men in a Boat (1956)

Approved | | Animation, Comedy, Romance | 21 January 1957 (UK)
Three London gentlemen take vacation rowing down the Thames, encountering various mishaps and misadventures along the way.


Ken Annakin


Jerome K. Jerome (freely adapted from the book "Three Men In A Boat") (as the late Jerome K. Jerome), Hubert Gregg (adaptation) | 5 more credits »
Nominated for 1 BAFTA Film Award. Another 1 nomination. See more awards »


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Cast overview, first billed only:
Laurence Harvey ... George
Jimmy Edwards Jimmy Edwards ... Harris
David Tomlinson ... J
Shirley Eaton ... Sophie
Lisa Gastoni ... Primrose
Jill Ireland ... Bluebell
Martita Hunt ... Mrs. Willis
Joan Haythorne Joan Haythorne ... Mrs. Porterhouse
Campbell Cotts Campbell Cotts ... Mr. Porterhouse
Adrienne Corri ... Clara
Noelle Middleton ... Ethelbertha
Charles Lloyd Pack Charles Lloyd Pack ... Mr. Quilp
Robertson Hare ... Photographer
A.E. Matthews ... 1st Old Gentleman
Miles Malleson ... 2nd Old Gentleman


Harris, J, and George decide to take a holiday boating up the Thames to Oxford. Battling against Hampton Court maze, tents, rain, locks, and Henley Regatta the accident-prone threesome have one success anyway - they meet Sophie, Primrose and Bluebell. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis


Approved | See all certifications »






Release Date:

21 January 1957 (UK) See more »

Also Known As:

3 hommes dans un bateau See more »

Company Credits

Production Co:

Romulus Films, Remus See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Westrex Recording System)


Color (Eastman Colour)

Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


A box office disappointment in its native England, the film was nevertheless enthusiastically received in France. See more »


After the picnic, the mud spatters from the dog on the girl's dress disappear in the medium shot. See more »


Version of Troe v lodke, ne schitaya sobaki (1979) See more »


The Merry Wives of Windsor Overture
Music by Otto Nicolai
See more »

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User Reviews

Noisome Nonsense
10 February 2010 | by icaredorSee all my reviews

I read the reviews of Three Men in a Boat before watching the film and couldn't believe that it is as bad as most reviewers claim. I mean to say, just look at the cast. Tomlinson, Edwards and Harvey are not a collection of comedic geniuses, perhaps, but surely they amass enough talent to produce an amusing adaptation of this admired novel. However, the negative reviewers are correct: this film is simply terrible. Although it only runs to 84 minutes it took me five sittings to get through it. I could barely tolerate watching twenty minutes at a time. I persevered because…well, look at the cast, surely they would deliver something funny eventually; perhaps the finale would be hilarious.

I grew up in Britain and still love old British comedies: Ealing, of course, Will Hay, Alastaire Sim, Peter Sellers, and so many others. I even like the lower-level comedy of the Carry On series, Benny Hill, or Frankie Howerd. This film, though, has less laughs than Polanski's Macbeth.

Some reviews have suggested that some people find the film unamusing because it is 'dated.' It was made in the fifties and set in the 1880s. However, these facts alone shouldn't be detrimental to a film's appeal. A good number of Britain's best and most appreciated comedies were made in the fifties, such as The Lavender Hill Mob, Hobson's Choice, and I'm All Right Jack. In fact, the decade is a Golden Age for British film comedy. The story's setting in an earlier period can hardly be detrimental either. Kind Hearts and Coronets stands easily as one of the best British comedies, yet it was set in the same historical period as Three Men in a Boat, was released six years earlier and was filmed in black and white. Similarly, Ken Annakin, this film's director, had his biggest successes with Monte Carlo or Bust! (1969) and Those Magnificent Men in Their Flying Machines (1965), both of which are set in times only slightly later than Three Men in a Boat and are equally far removed from contemporary audiences, but are still relatively amusing.

Some films age badly because of the focus of the material. George Formby and the Old Mother Riley comedies relied for their context on a particular interwar period and a British working class culture that had largely disappeared by the 1960s and has little meaning for people in contemporary Britain, let alone the rest of the world. Other examples are the sex comedies made in Britain in the 1970s or the blacksploitation movies made in the US in the same decade. These films are clearly dated but retain entertainment value because of their anachronistic fashions and dialogue.

Astonishingly, Three Men in a Boat was nominated for a BAFTA for, of all things, best screen play. This is baffling because the writers make little effort to drive the story with witty dialogue. Dialogue is, in fact, rather scant. The attempts at comedy come mostly from slapstick situations where our heroes wave tent poles and oars around for insufferable lengths of time, fall in the water repeatedly, and prattles on loudly and unintelligibly. The assumption is, apparently, that if these situations continue for long enough something funny simply has to happen. It doesn't. Slapstick can be badly done but it doesn't become dated. The silent movies of Chaplain and Keaton are still wonderful; the Three Stooges are still ridiculous and funny; much in Norman Wisdom's movies is dated, but when he falls through a window he is still hilarious. Not so Tomlinson, Edwards and Harvey.

On this one, I'm afraid, I concur with the "smug" negative reviewers. This is the least funny Brit Com I've ever seen, and I've seen "Carry on England."

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