When the menace known as The Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young man is guilty or innocent of murdering his father. What begins as an open-and-shut case of murder soon becomes a detective story that presents a succession of clues creating doubt, and a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other. Based on the play, all of the action takes place on the stage of the jury room.Written by
In 1981 a Norwegian version of the film was made by NRK fjernsynsteatret (Norsk RikskringKasting), broadcast in 1982 and called Tolv edsvorne menn (1982). The plot closely followed the American version. See more »
Henry Fonda's venturing out to buy his own copy of the knife is not considered proper behavior for a jury, and could easily have gotten him ejected if the judge had learned of it. See more »
Man in corridor:
You did a wonderful job, wonderful job!
To continue, you've listened to a long and complex case, murder in the first degree. Premeditated murder is the most serious charge tried in our criminal courts. You've listened to the testimony, you've had the law read to you and interpreted as it applies in this case, it's now your duty to sit down and try to separate the facts from the fancy. One man is dead, another man's life is at stake, if there's a reasonable doubt in your minds as to...
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Intense courtroom drama which has 12 very different people, all males, struggling with a murder case involving a young Puerto Rican boy that seems cut-and-dried. However, juror Henry Fonda does not believe it to be as sure-fire as it appears. He votes not guilty and what follows is a chain of events that will test the views, beliefs and thoughts of the other 11 members. Fonda is great, but Lee J. Cobb steals every scene (and that is not easy to do in a film like this). Ed Begley, Martin Balsam, Jack Warden, Jack Klugman, Joseph Sweeney, E.G. Marshall and John Fiedler are among the other individuals caught in a situation that is much more difficult than it appears on the surface. An excellent character-study that should be studied and embraced by all present and future film-makers. 5 stars out of 5.
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