Ephraim Cabot is an old man of amazing vitality who loves his New England farm with a greedy passion. Hating him, and sharing his greed, are the sons of two wives Cabot has overworked into ... See full summary »
Mike works on a boat in Acapulco. When the bratty daughter of the boat owner gets him fired, Mike must find new work. Little boy Rauol helps him get a job as a lifeguard and singer at a ... See full summary »
A dissatisfied ranch hand becomes a bounty hunter. He conspires with a crooked town boss to dirty up a neighboring village where a valuable railroad franchise is headed, in order to divert ... See full summary »
Gunslinger Jacob Wade finds his long-abandoned son Riley, now a young man who hates his father but has nowhere else to go. Hoping to settle down, Jacob finds no town will have him. They end at Monolith, the ranch of Jacob's former girlfriend Ada, to whom he had no intention of returning. A mustang hunt finds Riley himself attracted to the shapely Ada...and Jacob having trouble with his eyesight. And his visions of a quiet life are doomed by the re-appearance of enemies from his past...Written by
Rod Crawford <email@example.com>
Anthony Perkins had yet to find his feet when he made "The Lonely Man" in 1957, cast as former outlaw Jack Palance's son, but he's remarkably assured nevertheless. It's a so-so western from a mediocre director, Henry Levin, with Palance the lonely man of the title, wanting to go straight but finding both the law and his former partners doing all they can to see that he doesn't. A first class supporting cast, (Neville Brand, Robert Middleton, Lee Van Cleef, Claude Akins) ensure that it's never less than watchable and it's very handsomely photographed in black and white VistaVision by Lionel Lindon. It's a pity the script never really develops the characters beyond the one-dimensional and now it is very seldom shown.
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