6 user 1 critic

Nau Do Gyarah (1957)

| Comedy, Romance, Thriller
Runaway wealthy heiress, Raksha, joins a traveller, Madan, in a small truck, heading toward the home of his uncle, Manoharlal. When they reach their destination, they are informed that ... See full summary »


Vijay Anand


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Complete credited cast:
Dev Anand ... Madan
Kalpana Kartik ... Raksha
Shashikala ... Neeta
Jeevan ... Surjit
Madan Puri ... Radhey
Lalita Pawar ... Kuldeep's mom
Rashid Khan Rashid Khan ... Kuldeep's servant
Rest of cast listed alphabetically:
Krishan Dhawan Krishan Dhawan ... Kuldeep
Baby Lata Baby Lata ... Kamla
M.A. Latif M.A. Latif ... Raksha's Father


Runaway wealthy heiress, Raksha, joins a traveller, Madan, in a small truck, heading toward the home of his uncle, Manoharlal. When they reach their destination, they are informed that Manoharlal has passed away, and the estate and all the wealth is taken over by his son, Kuldeep, and his mother. Madan is suspicious and starts making inquiries about this death. Soon he himself comes under suspicion, and with the help of Surjit, he is arrested and imprisoned by the police, on the charge of kidnapping Raksha. This gets him out of the way, so that the real culprits can get away with the wealth. Written by rAjOo (gunwanti@hotmail.com)

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Also Known As:

Nine Plus Two Makes Eleven See more »

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Technical Specs


Sound Mix:

Mono (RCA Sound System)
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Did You Know?


Madan: Robber, thief, goon, cat, mouse, elephant, tiger, lion... now spend the night with all of them!
See more »


Aankhon mein kya ji
Sung by Asha Bhosle, Kishore Kumar
See more »

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User Reviews

A thoroughly enjoyable fair dished out by Dev Anand's Navketan, very ably directed by the debut making Vijay Anand.
14 August 1999 | by burmanSee all my reviews

Vijay Anand, who wrote and directed the film, had Dev Anand proceeding to Bombay by road, in a ramshackle truck converted into an all purpose van. On the way he finds that he has company in the form of Kalpana Kartik, who was running away from home, as she was being married to a man she did not like. A simple narrative made thoroughly enjoyable by excellent screenplay and dialogues, and, as was expected from the house of Navketan and their almost permanent music maestro, S. D. Burman, a feast of hauntingly melodious musical score. Dev Anand, the epitome of the urban youth, was his usual debonair self, and had the viewers spellbound by his charming portrayal. Kalpana Kartik was adequate. Shashikala was good. Technically, all the departments did excellent work.

Burman dada was always at his best when scoring for Dev Anand. Kishore Kumar's "Ham hain raahi pyar ke, hamse kuchh na boliye" to this day is one of his best numbers. Dada continued with his unique style of composing duets, and gave three excellent numbers in "Kali ke roop mein, chali ho dhoop mein, kahan?" by Mohd. Rafi and Asha Bhosle, "Ankhon mein kya ji, rupahla baadal" by Kishore Kumar and Asha Bhosle, and "Ho' o' aja panchhi akela hai", again by Kishore Kumar and Asha Bhosle. The cabaret song by Asha Bhosle and Geeta Dutt "Kya ho phir jo din rangila ho" was very catchy. Asha's "Dhalki jaaye chunariya hamari ho Raam" was a haunting number, whereas her "Jaane jigar hai hai, dekh to idhar hai hai" was a seductive number. Vijay Anand's picturisation of the climax, as Shashikala dances to Geeta Dutt's "See le zuban" was quite ably done, something which his elder brother, Chetan Anand, had done in "Taxi Driver", again in the climax, when Shiela Ramani was dancing to Lata's "Ai meri zindagi, aaj raat jhoom le". It is, however, to be noted that the story and screenplay of that film was also written by Vijay Anand only.

Overall, an excellent entertainer.

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