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Quatermass 2 (1957)

Approved | | Sci-Fi, Horror | September 1957 (USA)
Professor Quatermass, trying to gather support for his Lunar colonisation project, is intrigued by mysterious traces that have been showing up.

Director:

Val Guest

Writers:

Nigel Kneale (story), Nigel Kneale (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
Brian Donlevy ... Quatermass
John Longden ... Lomax (as John Longdon)
Sidney James ... Jimmy Hall (as Sydney James)
Bryan Forbes ... Marsh
William Franklyn William Franklyn ... Brand
Vera Day ... Sheila
Charles Lloyd Pack Charles Lloyd Pack ... Dawson
Tom Chatto ... Broadhead
John Van Eyssen John Van Eyssen ... The P.R.O.
Percy Herbert ... Gorman
Michael Ripper ... Ernie
John Rae John Rae ... McLeod
Marianne Stone ... Secretary
Ronald Wilson Ronald Wilson ... Young Man
Jane Aird Jane Aird ... Mrs. McLeod
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Storyline

Professor Quatermass, trying to gather support for Moon colonisation his project to colonize the Moon, is intrigued by the mysterious traces that have been showing up on his radar - meteorites crashing down?. Following them to the place where they should be landing he finds a destroyed village, a mysterious factory too close to his designs for the Moon colony for comfort, and some strange, aerodynamic objects containing a mysterious, ammonia-based gas that infects one of his assistants. Officially, the factory is producing synthetic food; but despite the veil of secrecy surrounding it Quatermass succeeds in finding out it harbours aliens with deadly designs on the Earth... Second in Hammer Films' trio of screen versions for Nigel Kneale's classic 1950s BBC serials, with the same director and star as 1955's "The Quatermass Experiment". Written by Jorge Mourinha <rjmourinha@mail.telepac.pt>

Plot Summary | Plot Synopsis

Taglines:

A horrible enemy from the unknown strikes terror across the earth!

Genres:

Sci-Fi | Horror

Certificate:

Approved | See all certifications »
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Details

Official Sites:

Hammer Films official page

Country:

UK

Language:

English

Release Date:

September 1957 (USA) See more »

Also Known As:

Enemy from Space See more »

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Box Office

Budget:

GBP92,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Hammer Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

1.75 : 1
See full technical specs »
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Did You Know?

Trivia

In between takes Brian Donlevy's toupee was accidentally blown off by the aeroplane engine wind machines used during the film's climax. See more »

Goofs

When Quatermass pulls up at the traffic lights in London, a car to his left does likewise, but this car is not seen in the following close up of Quatermass at the wheel. See more »

Quotes

Marsh: Hey look at this Sir! Look at this! I think this- I think this is a- a whole one! Yes it is! It's exactly the same odd shape as the other. It isn't even cracked. It's...
Quatermass: What is it?
Marsh: That's funny, I thought I felt a sort of...
Quatermass: Put it down!
Marsh: -a sort of vibration.
Quatermass: Marsh, your face! There was something on your face! Are you alright? Let me take a look. You know, for a moment, I could have sworn I saw something that looked like a big black bubble.
See more »

Alternate Versions

As was commonplace in the 1950s, Hammer filmed a racier "Continental" version, which included revealing shots of Vera Day. Nigel Kneale objected that it was entirely out of place, not to mention far too colorful, to have a topless waitress in a village pub. See more »

Connections

Featured in Svengoolie: Enemy from Space (1996) See more »

Soundtracks

Midsummer Mood
(uncredited)
Music by Kenneth Essex
Paxton Music Ltd
See more »

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User Reviews

One of the best sci-fi films around
6 June 2002 | by pv71989See all my reviews

This film was actually the first sequel to use a number in the title (although it's American title was "Enemy from Space"). Not only was this a cleverly written film, based on Nigel Kneale's screenplay, but it was a cruel satire on English and American culture in the 1950s.

In a nutshell, Professor Bernard Quatermass, leader of England's rocket group, is at wit's end trying to get more funding for his projected moon project. The British government decides it has "projects of far greater importance.'' At the same time, workers at Quatermass' base detect scores of what look like meteorites falling close by. When Quatermass investigates, he not only finds remnants of the meteorites, but his moon base, conveniently appropriated by an unknown government entity. His lab assistant picks up one of the meteorites and it explodes in his face, immediately infecting him with an alien parasite.

Quatermass is forced to go it almost alone, helped by a cynical police inspector, a drunken beat reporter and a vigilant member of parliament who can't get even his own party members to question where millions of pounds of tax dollars are going to.

The cruel satire comes from the comparison of Western governments of the 1950s to the communist governments they vehemently opposed during the Cold War years. British citizens were taught to implicitly trust government even as it spent millions to unknowingly fund an alien invasion. Civilian workers were so glad to have jobs they don't question why the supposed "synthetic food" plant they're building needs huge doses of toxic gases like ammonia. Even when evidence of wrongdoing is brought up, government red tape squelches it.

As for the movie itself, it is much better written than the original ("The Quatermass Experiment"). Nigel Kneale softens Quatermass' dour and brusk personality. Director Val Guest effectively uses a string musical score to build a creepy atmosphere. He and Kneale even overcome the first movie's dull ending, which had an alien getting electrocuted with no suspense whatsoever. Here, the plant workers, angry that one of their own is carted away by infected security guards at gunpoint, try to storm the plant, turning the aliens' carefully planned invasion on its ear. The irony, of course, is that the plant was conceived because government bureaucracy kept it secret. Now, as the plant is threatened, the same secrecy prevents the aliens from calling for help from the police or armed forces.

The special effects are better in this film, though the giant aliens at the end are not as convincing as they could be. Still, the film is a great example of British science fiction, which relied more on plot and characterization than the special effects that dominated American science fiction.


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