6.8/10
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Silk Stockings (1957)

Approved | | Comedy, Musical, Romance | 18 July 1957 (USA)
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »

Director:

Rouben Mamoulian

Writers:

Leonard Gershe (screenplay), Leonard Spigelgass (screenplay) | 4 more credits »
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Nominated for 2 Golden Globes. Another 3 nominations. See more awards »

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Cast

Complete credited cast:
Fred Astaire ... Steve Canfield
Cyd Charisse ... Ninotchka Yoschenko
Janis Paige ... Peggy Dayton
Peter Lorre ... Brankov
George Tobias ... Vassili Markovitch
Jules Munshin ... Bibinski
Joseph Buloff ... Ivanov
Wim Sonneveld Wim Sonneveld ... Peter Ilyitch Boroff
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Storyline

A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell, with the help of Steve Canfield, an American movie producer. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

BIG BOUNCY BEAUTIFUL! (original print ad - all caps) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

18 July 1957 (USA) See more »

Also Known As:

Meias de Seda See more »

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Box Office

Budget:

$1,853,463 (estimated)

Cumulative Worldwide Gross:

$9,755
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

4-Track Stereo | Perspecta Stereo (as Perspecta Sound®) (Westrex Recording System)

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Cole Porter's original lyrics were slightly bowdlerized for the movie. For example, Astaire sings a line in "Stereophonic Sound" about how audiences don't want to see a kiss "unless her lips are scarlet/and her mouth is five feet wide." In the original Broadway musical, the lyrics were "unless her lips are scarlet/and her bosom's five feet wide." See more »

Goofs

When Peggy Dainton first gets off the plane in Paris, she is handed the same bouquet of red roses twice. See more »

Quotes

Ninotchka Yoschenko: I don't look too foolish?
Steve Canfield: Foolish? Why, you're only the most beautiful girl in Paris!
See more »

Connections

References Lassie Come Home (1943) See more »

Soundtracks

Stereophonic Sound
(uncredited)
Written by Cole Porter
Sung and Danced by Fred Astaire and Janis Paige
See more »

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User Reviews

Now on DVD - CinemaScope once more!
30 April 2003 | by gregcoutureSee all my reviews

Like so many films produced in the mid- to late Fifties and early Sixties, when CinemaScope and other widescreen processes enhanced a production, directors and cinematographers were usually unafraid to take full advantage of the wider ratio. They weren't so concerned about how the final product would look on TV's square screens and probably didn't anticipate the visual desecration of "formatting" and "pan-and-scan" reductions. So it's nice to know that this musical, filmed when M-G-M was about to throw in the musical towel and bid an undeserved farewell to the Arthur Freed "unit," can now be enjoyed again close to its original theatrical aspect ratio on DVD.

Astaire and Charisse are a team to be treasured (so wonderful together in "The Band Wagon" a few years earlier, under Minnelli's astute guidance) and all of the others listed in this film's credits are professionals of the highest caliber. Astaire has a fun solo (with a chorus of top-hatted dancers) in the "Ritz Roll 'n' Rock" number; Cyd gets to put those legendary legs to dazzlingly opulent use in the "Red Blues" production show-stopper; and even Janis Paige gets to raunch it up in an amusing example of clever Cole Porter risking something risqué (for its day) in a song about the Empress Josephine, "commonly known as Jo"! And there's that first reel number, "Stere-oh-phonic Sound," that cleverly spoofs the contemporary moviemakers' attempts to lure people from their TV sets with widescreens, sound coming from every corner of the auditorium and eye-glazing color processes. It may not be prime Porter but it's all far-and-away more fun and enjoyable than anything we're likely to get today with the threatened revival of the movie musical with barbarians like Baz Luhrmann given the directorial reins.


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