Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.
From the Pullizer Prize winning play by Paul Zindel, this is the story of Beatrice Hunsdorfer and her daughters, Ruth and Matilda. A middle-aged widowed eccentric, Beatrice is looking for ... See full summary »
Eve White is a quiet, mousy, unassuming wife and mother who keeps suffering from headaches and occasional black outs. Eventually she is sent to see psychiatrist Dr. Luther, and, while under hypnosis, a whole new personality emerges: the racy, wild, fun-loving Eve Black. Under continued therapy, yet a third personality appears, the relatively stable Jane. This film, based on the true-life case of a multiple personality, chronicles Dr. Luther's attempts to reconcile the three faces of Eve. multiple personalities.Written by
According to the DVD commentary by Aubrey Solomon, "When the real Eve signed the contract for the movie, the studio had her sign three separate contracts under each of her personalities, so that they would be covered from any possible legal action. In fact, when she signed the contract, they actually had her go into the personalities, and the signatures were all different on the contracts." See more »
(at around 33 mins) When Eve Black is in the hospital sitting on the bed talking with the Dr. and he mentions introducing E. Black to E. White, E. Black is holding a cigarette in her left hand. She "wakes up" as E. White and covers herself, but has lost the cigarette. See more »
Don't you want to get me one?
Well, I've never seen you take a drink before.
Honey, there are a lot of things you've never seen me do before. That's no sign I don't do 'em.
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Increasingly dated but with a chilling, compact effect.
The Three Faces of Eve (1957)
A lot of movies tell you they are based on facts, and it doesn't always matter in particular, or it even distracts because with fact, there are limits, and with fiction, there are none.
But if this movie was NOT based on fact, it would come off a little cheesy and a hair slim. There really isn't much a plot, or, oddly, development. The key twist happens right away, and is explained, through narration and by the main male lead, Lee J. Cobb, playing a psychiatrist. From there it is a matter of thinking, wow, this really happened?
And it happened to a young woman played here with energy by Joanne Woodward. I think it's a beautiful performance, an appropriate one, but the style of this quasi-documentary style movie makes it a little plasticky, too, chilling in a fake way. With keyed in music with each change of personality.
So there is something utterly amazing and chilling going on here, as a movie, and as psychology, but within constraints of its own making.
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