Alain Leroy is having a course of treatment in a private hospital because of his problem with alcohol. Although he is constantly distressed, he leaves the hospital and tries to meet good ... See full summary »
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
With her mother away for the weekend, a brash and precocious ten-year-old country-girl sets out to explore Paris during a Métro strike, under her uncle's not-so-watchful eye. Can a little girl cause so much chaos in the heart of the city?
As France is nearing the end of the first Indochina War, an open-minded teenage boy finds himself torn between a rebellious urge to discover love, and the ever-present, almost dominating affection of his beloved mother.
Florence Carala and her lover Julien Tavernier, an ex - paratrooper want to murder her husband by faking a suicide. But after Julien has killed him and he puts his things in his car, he finds he has forgotten the rope outside the window and he returns to the building to remove it...Written by
Stephan Eichenberg <firstname.lastname@example.org>
Louis Malle shot his lead actress Jeanne Moreau in close-up and natural light and often without make-up. Moreau, an icon of French film, had never been seen like this before, to the extent that lab technicians, reportedly appalled at how unflatteringly she was photographed, refused to process the film. Once they were persuaded to, however, it soon began clear that Malle had captured every nuance of Moreau's performance. See more »
Julien's plan to pretend suicide is foolish. Missing gunpowder residue on Carala's hand would instantly reveal that he was murdered. And since Julien was one of the last who left the building, he would be the one the first to be suspected. The police would find the camera with the shots of him and Florence, and there he goes... By the way: There is not a single drip of blood...very unlikely. See more »
I never physically met the man, but I consider Malle an old friend.
He made two films that I think are among the most perfect and intellectually adventurous I know. He also made some good films that aren't life-changing but that show insight. This is one of them.
There are no new ideas here. It unfolds as one expects. The drama is muted to the point of homeopathy.
And yet we like it because it is so economical. Its bare, honest, true. So we like it, just like we gravitate to an open person regardless of whether she is dumb. I appreciate Bresson for this, his economy which blesses the viewer with a mind that necessarily filters what we see. But Bresson goes too far and presses into the impress of abstraction. Malle is real because it is overtly untheatrical.
Its worth seeing because it is seamless bamboo and because it informs "Vanya" and "Dinner." But in terms of its effect; its callow post-noir noir. And it has that hint at the end of a "film" within that condemns the couple.
Ted's Evaluation -- 3 of 3: Worth watching.
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