When a Wyoming rancher goes to Oregon to buy cattle, his foreman and a gang of town criminals plot together to steal the herd but the rancher's cattle-drive hired hands are old convicts and rustlers themselves.
Dan Beattie gives up his lawman job to move further west and rejoin his old war buddy Curt Warren in the town of Sundown. At first mistaken for a railroad agent by Beau Santee, a Sundown ... See full summary »
An outlaw must decide whether to stick his neck out for an innocent man in this hardboiled post-Civil War adventure written by noir legend Daniel Mainwaring (Out of the Past) and starring Frank Lovejoy (In a Lonely Place) and James Best (The Dukes of Hazzard). Beaten and forced out of town by the corrupt state police of Texas, Kit Caswell (Best) heads to the hills where he meets the notorious desperado Cole Younger (Lovejoy). Becoming fast friends, the two take jobs on a cattle drive, unaware that a jealous rival (Jan Merlin) with eyes on Caswell's girl (Abby Dalton) has falsely accused him of murder. So when Caswell is arrested and Younger slips away, only the testimony from the outlaw himself can save Caswell from the hangman.Written by
Cole Younger, Mentor to Youth and Adviser to the Lovelorn
Two young men, fleeing from carpetbagger justice in the 1870s, come upon a scary, bitter Frank Lovejoy. Is this guy really COLE YOUNGER, GUNFIGHTER, or just some other guy framed up on phony charges who has a skin of iron, and a heart of cornmush?
By the time 1958 rolled around, the B-Western had shuffled off to television, and had been replaced by the serious "adult western". This shuffling allowed serious actors approaching a career hiatus -- like Frank Lovejoy -- a chance to work for studios like Monogram (er, "Allied Artists") and retain some shred of reputation. This is good -- because Lovejoy, not a Western actor by any stretch, gives a good performance of the character called "Cole Younger" here. Younger, alas, is pretty much an old softie as portrayed here, and consistently puts his neck on the line for the young hero, in ways that are implausible for any historically accurate outlaw. But Lovejoy (who has a great voice for urban and gangster parts) brings some bite to the role, and at least projects a sense that this guy might have held up a stage or two, because mean people drove him to it.
The rest of the film is standard fare -- reminiscent of an episode of the "adult" TV westerns of the day (Not as good as Gunsmoke...more like Bonanza or the Big Valley). If you like westerns, you won't waste your life by watching this.
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