Teenage Cave Man (1958) - News Poster


Robert Vaughn dies, aged 83

Tony Sokol Nov 12, 2016

Robert Vaughn, who played the suave spy Napoleon Solo on The Man from U.N.C.L.E., had died.

Sad news. Robert Vaughn died this morning, November 11, of acute leukemia at the age of 83, the veteran actor’s manager Matthew Sullivan announced through Variety. Vaughn died in New York “surrounded by his family,” Sullivan said.

Robert Vaughn is best known in his signature role as Napoleon Solo on The Man From U.N.C.L.E., but he is also the proud gunfighter who painfully scratches his nose against the slate wall in his last battle in The Magnificent Seven.

David McCallum, who played Vaughn’s Russian spy partner on The Man From Uncle, told TVLine.com he was "utterly devastated. … Robert and I worked together for many years and losing him is like losing a part of me. My deepest sympathies go out to Linda and the Vaughn family."

Vaughn was born in New York City.
See full article at Den of Geek »

Actor Robert Vaughn Dead At Age 83; Oscar Nominee And Star Of "The Man From U.N.C.L.E."

  • CinemaRetro
This Article Has Been Updated

By Lee Pfeiffer

The past year has been an especially harsh one for the entertainment industry in terms of well-known personalities who have passed away. Today's news that actor Robert Vaughn has died hits Cinema Retro especially hard and this writer in particular. He died from a battle with leukemia and was surrounded by his family in his final moments. I first met Robert in 1983 at a press conference in New York in which he and David McCallum promoted their forthcoming TV movie "Return of The Man From U.N.C.L.E." I've remained friends with them ever since and shared many an enjoyable conversation. Robert was an early supporter of Cinema Retro and contributed to numerous issues, most recently issues #33 and #34 in which he was interviewed by writer Steve Rubin about the dramatic occurrences in making the 1969 WWII film "The Bridge at Remagen
See full article at CinemaRetro »

Mystery Science Theater 3000: Volume Xxxv Review

Brad Cook reviews Mystery Science Theater 3000: Volume Xxxv…

Shout! Factory’s track record with MST3K sets has been pretty solid ever since they took over the license from Rhino. They’ve done a great job of including bonus features in every four-disc volume, along with four mini-posters based on the disc case covers. Some sets are more memorable than others, of course, such as the one where they included all the Gamera movies they skewered, or the volume that celebrated the show’s 25th anniversary, with an excellent retrospective documentary (both came in nice tin cases too).

Volume Xxxv is a set that falls in the “good” category. If you’re a completist, there’s nothing stopping you from snapping it up. If not, you’ll want to read this review and decide for yourself. As always, of course, the episodes live up to the series’ typical standard of excellence.
See full article at Flickeringmyth »

Round-Up: The Lost Boys Leather Jacket Auction, Exclusive Refuge Q&A, MST3K, Venom Blu-ray / DVD, The Hours Till Daylight

Great news for fans of Joel Schumacher's The Lost Boys—an auction of Dwayne's leather jacket and costume is going on right now and will continue until February 26th. Also: a Q&A with Refuge director Andrew Robertson and release details for MST3K: Vol. Xxxv, Venom, and The Hours Till Daylight.

The Lost Boys & Other Entertainment Memorabilia Auction: Press Release: "Prop Store is pleased to bring vampire Dwayne’s (Billy Wirth) Death Scene Leather Jacket and Costume from the 80’s classic The Lost Boys to their online auction site. Joel Schumacher’s 1987 vampire classic pitted a deadly group of vampires against a pair of brothers in a battle to save their family. The Dwayne vampire jacket on offer comes from the character’s death scene in which Sam (Corey Haim) shoots the vampire with an arrow, sending him back into a stereo which electrocutes him. Resembling a heavily worn biker outfit,
See full article at DailyDead »

John Carpenter to present Roger Corman with Legend Award at New Media Film Festival

John Carpenter to present Roger Corman with Legend Award at New Media Film Festival
One bona fide movie legend will fete another on June 11 when John Carpenter presents Roger Corman with the New Media Film Festival’s Legend Award at the Landmark Theatre in Los Angeles. Carpenter is, of course, the director of such genre classics as Halloween and The Thing while the list of notable films made by producer and director Corman merely begins with The Trip, Death Race 2000, Rock ‘n’ Roll High School, and the original Little Shop of Horrors. As a distributor he was also responsible for introducing American audiences to an array of European art house films. (Those interested
See full article at EW.com - Inside Movies »

Book Review: "Crab Monsters, Teenage Cavemen, And Candy Stripe Nurses: Roger Corman, King Of The 'B' Movie" By Chris Nashawatay; Foreword By John Landis

  • CinemaRetro
"Crab Monsters, Teenage Cavemen, And Candy Stripe Nurses: Roger Corman, King Of The 'B' Movie" By Chris Nashawatay; Foreword By John Landis 

Review by Lee Pfeiffer

You can fill an ocean liner with all the tribute books that have been written about "B" movie mogul Roger Corman. The most elaborate so far is this superb coffee table volume by Chris Nashawatay, a long-time film critic for Entertainment Weekly. The book presents a plethora of outstanding movie posters, lobby cards and behind the scenes stills, some of which are from Corman's personal archives. They are all wonderfully presented, as this book is particularly well-designed to capitalize on the nature of the films it celebrates. So many big stars and directors had their initial success with Corman productions. In these pages you can relish Jack Nicholson as Cry Baby Killer, Ron Howard starring in (and directing for the first time) Eat My Dust,
See full article at CinemaRetro »

Roger Corman's Digital Drive-In

  • MUBI
“A small band of efficient, dedicated, highly trained warriors can defeat any number of rabble. That’s my theory of filmmaking.”

Roger Corman

What sort of creature is 21st century cinema going to be? Two-headed beast or tentacular jellyfish? Branded or brain-dead entertainment? Elitist pastime or popular food for thought? To be on the safe side and remind future generations of the genetic foundations of this untamed living being called cinema, at the venerable age of 87 year-old, Roger Corman has opened his own YouTube channel. From king of the drive-in to elder librarian of the digital cinematheque of Babel, Corman’s protean genius is anything but nostalgic. Instead of mourning the cyclical “death of cinema” the legendary producer keeps injecting new life and ideas into the changing shape of films. While his output has significantly decreased throughout the years his relevance has not, nor, it would appear, has his maverick spirit.
See full article at MUBI »

Aip Rises From the Dead With Roger Corman Remakes

Aip Rises From the Dead With Roger Corman Remakes
Back in the 1950s, the film industry went through some major changes. The studio system (in which the major studios had directors, actors, and writers under contract and matched them up for films) was dying, and the studios had lost ownership of most theater chains due to anti-trust laws, which meant theaters had more freedom in what they could screen. This gave rise to the independent studios, who would hire no-name directors and actors on a per-project basis, could churn out low-budget flicks with sensational topics that could turn a bigger profit.

American International Pictures (Aip) was one of the biggest independent studios of its time, with over 500 films produced and/or distributed by the company. Aip produced Roger Corman's earliest films. The company specialized in "teeny-bopper" films: juvenile crime, horror, and sci-fi tales. Throughout the years, Aip was bought and merged into a number of companies, with MGM
See full article at FEARnet »

The Ongoing Influence Of Mystery Science Theater 3000

Kansas City, Mo. -- Scenes of Tom Cruise filled the big screen, but the moviegoers packed inside a Missouri theater focused their attention on the action playing out away from the film: Three local actors and comics cracking jokes about the star's height, his fervent belief in Scientology and some of his cinematic shortcomings.

When it comes to movie theater etiquette, talking back to the screen is right up there with glowing and ringing cellphones and crying babies as no-no's. But now, some comedy crews inspired by the 90's cult TV show "Mystery Science Theater 3000" are making the heckles acceptable – provided the movie is cringe-worthy and the jokes non-stop.

The focus of the jokes at Kansas City's Screenland Slams on this particular Saturday night was Cruise's turn in 1985's "Legend," a Ridley Scott-directed romantic fantasy starring a young Cruise as a forest dweller battling the Lord of Darkness and his goblin henchmen.
See full article at Huffington Post »

Sos Staff Gateway Films: Bill Mesce – ‘The Magnificent Seven’

There was no a-ha! moment, no seeing of the light, no epiphany. I’d loved movies since I was a kid, had been a buff since my early teens, but there was no one, shining instance of enlightenment where my relationship with film graduated to something — … Well, the kind of thing my Sound on Sight colleagues have been talking about this month with their “gateway” films. Instead, it was a cumulative experience for me; my road to that point was a long, winding, gradual one. Here and there along that road something would lodge in the ol’ gray matter, tickle at some deep place, until enough of those somethings gathered up over the years finally coalesced into a critical mass.

But I can tell you where that first turn in that road was; that first stop where I picked up that first something. I was six years old, it was
See full article at SoundOnSight »

Ten Hot Cavemen Who Can Club Us Any Time!

I understand it’s an important find and all, but you’ve gotta admit this “gay caveman” story that made the news last week is also pretty hilarious. A gay caveman? That’s a stand-up comedy routine, not an archaeological discovery!

AfterElton.com already took on the problems with how the media reported the story, plus we also provided our own proof that us ‘mos have always been around – even during the Stone Age.

Nevertheless, since the word “caveman” somehow never fails to bring to my mind the image of a hot Abercrombie & Fitch model posing in a loincloth, the story inevitably got me to thinking of the dozens of Hollywood-ized interpretations of early humans that moviegoers have been treated to over the past several decades.

True, the majority of these interpretations aren’t exactly, shall we say, accurate (to my knowledge, they didn’t actually have laser-whitening capabilities back
See full article at The Backlot »

A History of the American B-movie: The 40s and 50s

Our look back at the history of the American B-movie takes in the 40s and 50s, which saw the emergence of Mr Roger Corman...

"From Out of Space... A Warning and An Ultimatum!" Tagline for The Day The Earth Stood Still (Robert Wise, 1951)

The term B-movie is perhaps most synonymous with the 40s and 50s era of Hollywood. At this stage the label was sometimes used as derogatory slang for cheapo movies with stale dialogue, unknown actors and old sets. But most movie lovers remember something magical about these classics. Whether it's watching Cat People when you were a kid, or Ed Wood's hilarious cult oddities as a teenager, they stay with you forever.

Rko were renowned for their horrors around this time, thanks to screen writer and producer Val Lewton. His production team made the aforementioned Cat People (1942), as well as I Walked With A Zombie (1943) and Stranger On The Third Floor
See full article at Den of Geek »

Roger Corman: Scorsese, Stallone, Sayles, and other A-listers talk about the B-movie king

He gave life to teenage cavemen and candy-stripe nurses. Crab monsters and humanoids from the deep. T-bird gangs and towns that dreaded sundown. His name is Roger Corman. And on Nov. 14, he will receive an honor that no one would have predicted: an honorary Academy Award. The 83-year-old B-movie titan has made nearly 400 films as a director and producer. From the start, Corman was a magnet for hungry young actors, writers, and directors who would work for slave wages for the chance to make their first film. They called it the "University of Corman," and the alumni include Francis Ford Coppola,
See full article at EW.com - PopWatch »

AMC Launches Bmc Online

B-movie fans rejoice. AMC, which some of you may remember at one time stood for "American Movie Classics" until the "classic" portions of the name became rather dubious, has just launched Bmc (B-Movie Classics), a subsidiary of AMC's website streaming classic and not-so-classic B-movies from the Golden Age of Hollywood.

Mac McKean, Vice-President of Digital Media for AMC, tells TV Week: “B-movies may have been low-budget and less publicized motion pictures, but they had a huge fan base that transcended generations and still exists today. Bmc is a new platform that caters to an on-demand audience, giving film lovers direct access to B-movies from the 1950s and ’60s.”

The Bmc website greeting goes a little something like this:

"Bikinis! Monsters! Motorcycles! Welcome to Bmc, your new go-to site for B-movies by the likes of John Carpenter (Dark Star) and Roger Corman (Saga of the Viking Women). Now online and in full screen,
See full article at Dread Central »

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