6.4/10
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12 user 5 critic

Playgirl After Dark (1960)

Too Hot to Handle (original title)
A French reporter working on a steamy story about the secret strip joints found in London's Soho district becomes involved in the lives of the owner and star of a famous club.

Director:

Terence Young

Writers:

Herbert Kretzmer (screenplay), Harry Lee (original idea)
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Cast

Cast overview, first billed only:
Jayne Mansfield ... Midnight Franklin
Leo Genn ... Johnny Solo
Karlheinz Böhm ... Robert Jouvel (as Carl Boehm)
Danik Patisson Danik Patisson ... Lilliane Decker
Christopher Lee ... Novak
Kai Fischer ... Cynthia
Patrick Holt ... Inspector West
Martin Boddey ... Mr. Arpels
Sheldon Lawrence Sheldon Lawrence ... Diamonds Dielli
Barbara Windsor ... Ponytail
John Salew John Salew ... Moeller
Tom Bowman Tom Bowman ... Flash Gordon
Ian Fleming ... Pawnbroker
Penny Morrell Penny Morrell ... Terry
Katherine Keeton Katherine Keeton ... Melody
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Storyline

In London's Soho, Johnny Solo runs the Pink Flamingo Club. He's tough to intimidate. So when he starts getting threats and demands for protection, he fights back. Behind the takeover plot is a competitor, Diamonds Dielli. Midnight Franklin, who's Johnny's girlfriend and one of the club's headliners, wants to get Johnny out of the business. In the background are a sadistic client, an underage chorus girl, a wisecracking siren who's not averse to rough trade, a visiting journalist, and a dancer who guards her past. Can Johnny win the struggle with Diamonds, and can Midnight get him out of harm's way? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The sizzler you read about in Playboy magazine! It strips the secrets from the intimate key clubs.


Certificate:

See all certifications »
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Details

Country:

UK

Language:

English | German

Release Date:

16 April 1960 (West Germany) See more »

Also Known As:

Playgirl After Dark See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Eastmancolor)| Black and White (TV prints)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Barbara Windsor's screentime was severely cut, on the instructions of Jayne Mansfield. See more »

Quotes

Midnight Franklin: Kid, do yourself a favour.
Ponytail: What?
Midnight Franklin: You know what - Arpels. Forget him. Stand him up. Go home and curl up with a good book.
Ponytail: Gee, everybody's getting at me, like I'm a juvenile delinquent or something.
Midnight Franklin: They're only trying to do what's best for you, Ponytail. I know there's not enough milk of human kindness around here to fill a baby's bottle, but there is a little.
Ponytail: Well, I'm not a baby anymore. Gee, Miss Midnight, this is the chance I've been waiting for.
Midnight Franklin: I know. I even know the dialogue: "Baby, I ...
[...]
See more »

Alternate Versions

The British film is in color and runs at circa 104 minutes. The USA copy, intended for TV broadcast, is in b&w and cut to 93 minutes. VHS and DVD copies are all based on the USA version. See more »

Connections

Referenced in Terence Young: Bond Vivant (2000) See more »

Soundtracks

Midnight
Music by Bill McGuffie
See more »

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User Reviews

 
Jayne Mansfield Drops Her Guard and Her Clothes
18 June 2006 | by HarlowMGMSee all my reviews

TOO HOT TO HANDLE was Jayne Mansfield's first film away from 20th Century-Fox after achieving stardom in the mid 1950's. This British drama is usually marked as the beginning of her descent into low-budget productions but actually despite being set almost entirely in a nightclub, it's clearly no cheapie with a large cast and somewhat lavish production numbers with solid direction from Terence Young who later did many James Bond films.

Jayne plays the lead in this ensemble picture as the headline attraction and longtime girlfriend of strip club owner Leo Genn who lately has been the recipient of several extortion attempts. Tough guy Genn is determined to fight back rather than give in much to Jayne's distress. Jayne sings two numbers including the title song performed in fairly transparent costume (reminscent of Marlene Dietrich's famous Las Vegas gown) that covers the basics but not much else. This number is badly shot with too many shots of the audience and not enough of Jayne although this may have been the work of the censors. The movie's American release was held up two years because of the racy numbers (finally released in 1962 as PLAYGIRL AFTER DARK) but today it could play on primetime TV and not raise an eyebrow although the numbers remain sexy.

Jayne generally looks gorgeous for the most but in a couple of scenes is not photographed well and in some scenes appears to be unusually plump (she may have been pregnant or had not yet lost post-baby weight, she was cranking out kiddies almost as often as movies during this period). She is appealing as always as the warm-hearted star of the show whose good love may all be for naught.

Give her credit too, for sharing the screen with a number of other lovelies among the showgirls and entertainers at the club. Beautiful brunette Danik Pattison gets almost as much screen time as Jayne as the loner, secretive showgirl and she has a sensational faux strip number set in a steamy train berth that still packs an erotic wallop. Barbara Windsor is cast as the "jailbait" showgirl, "Ponytail", who wants to grow up in the worst way. While Ms. Windsor is clearly not underage like her character, she effectively captures the simplistic foolishness of someone too young to understand the big picture. Ms. Pattison went on to have a career in the French film industry that lasted into the 1970's, Ms. Windsor later became quite well-known in England for her work in the "Carry on..." films and television programs and is still active today in the series "East Enders".

British star Leo Genn is very effective as the James Cagney-tough club owner while Christopher Lee does well as his right-hand man. The movie was filmed and released in Eastman Color but video and DVD prints are regrettably black and white. It was fairly common for B&W prints to be struck of color films to be shown on television during the 1960's and 1970's for local stations. Surely color prints of this movie must exist somewhere, hopefully eventually one will find it's way to DVD. This movie is a low-key effort but it still interesting and actually has a lot to offer with a fine performance by Genn, the warmth and glamour of Mansfield, and a number of other beautiful young women on parade in various stages of dress.


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