7.1/10
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Strangers When We Meet (1960)

Approved | | Drama, Romance | 15 September 1960 (UK)
A suburban architect loves his wife but is bored with his marriage and with his work, so he takes up with the neglected, married beauty who lives down the street.

Director:

Richard Quine

Writers:

Evan Hunter (screenplay), Evan Hunter (novel)
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Cast

Complete credited cast:
Kirk Douglas ... Larry Coe
Kim Novak ... Margaret 'Maggie' Gault
Ernie Kovacs ... Roger Altar
Barbara Rush ... Eve Coe
Walter Matthau ... Felix Anders
Virginia Bruce ... Mrs. Wagner
Kent Smith ... Stanley Baxter
Helen Gallagher Helen Gallagher ... Betty Anders
John Bryant John Bryant ... Ken Gault
Roberta Shore ... Linda Harder
Nancy Kovack ... Marcia
Carol Douglas Carol Douglas ... Honey Blonde
Paul Picerni ... Arthur Gerandi
Ernest Sarracino ... Frank Di Labbia
Harry Jackson Harry Jackson ... Bud Ramsey
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Storyline

The awarded architect Larry Coe lives a boring marriage with his wife Eve Coe and their two young sons in the suburb. Larry is designing and constructing an unique house to the successful writer Roger Altar (Ernie Kovacs) on the top of a hill. Margaret 'Maggie' Gault is a sexy blond sexually neglected by her husband Ken Gault that lives in the same neighborhood and they have a young son. When Larry meets Maggie at the bus stop of the school bus, he unsuccessfully hits on her. But soon they encounter each other again and they have a love affair. They fall in love with each other, but when their despicable neighbor Felix Anders discovers their affair, they have to decide between loyalty and respect to their families or love. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

SOMEONE ELSE'S HUSBAND AND SOMEONE ELSE'S WIFE...! (original print ad - all caps) See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

15 September 1960 (UK) See more »

Also Known As:

Fremde, wenn wir uns begegnen See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Glenn Ford was originally being pursued to star opposite Kim Novak. See more »

Goofs

In the kitchen scene where Larry and his wife tell their young son Peter to never-mind about "S-E-X" and to drink his milk, the boy drinks the glass of milk to about 2/3 empty. After the camera cuts away and returns, the glass of milk appears almost full and untouched. See more »

Quotes

Felix Anders: Me? I'm a respectable ex-butcher, my conscience is clear.
Larry Coe: So is mine. Good night, Felix.
Felix Anders: Outraged innocence is always a good gimmick, Larry... but the amateur tends to overplay it. The pro, Larry, is a guy who establishes a definite behavior pattern at home and never deviates from it, but never. No sly secret glances when your wife's at the same party, no trips to the kitchen for a quick kiss. Kid stuff. The pro doesn't take any real chances.
Larry Coe: You're taking a real chance right now, Felix. I'm ...
[...]
See more »

Connections

Referenced in El crack dos (1983) See more »

Soundtracks

Strangers When We Meet
Music by George Duning
Lyrics by Richard Quine
Performed by chorus over main credits
See more »

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User Reviews

This is Europa.
10 February 2002 | by dbdumonteilSee all my reviews

Richard Quine seems here very different.This is not exactly an entertaining movie but rather a middle-class group study focusing on Novak and Douglas ' characters.Absolutely unmelodramatic,with no spectacular scenes -except for two fightings- .Novak's memory of her affair with a trucker could have been treated as a flashback;but she simply tells it to her new lover Douglas,and the camera shows her mouth in close shot.Except during the party,the characters brush against each other more than they really meet.

Actually it's closer to European ,particularly Italian cinema of the same era:Antonioni comes to mind,'l'avventura"(1959)and chiefly "la notte"(1960).Delicacy,painful frames of mind,wistful looks,in a muffled atmosphere,with more whispers than cries:Quine proves that a scandalous topic such as adultery can be handled gracefully.Unlike further works as "the world of Suzy Wong"(1960) or "sex and the single girl"(1964),this is true psychological drama.


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