Everyday the children of the neighborhood known as "Tire Dié", in the city of Santa Fe, wait for the train to ask for money, shouting "Tire dié!" (toss me a dime!) to the passengers. ...
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A woman flies from Buenos Aires to be present for the birth of the child she has arranged to adopt. When the child is born, she is confronted with a demand from the biological mother's ... See full summary »
Fernando returns to the town where he lived as a young man to meet his poet friend Anibal, there they perform the ritual they share for years, swimming to a buoy. This documentary is ... See full summary »
It runs in 1896. In the dense Paraguayan jungle a three-year-old girl survives a massacre perpetrated by white settlers on an Aché family. The girl is baptized with the name of Damiana by ... See full summary »
The married Bongwan leaves home in the dark morning and sets off to work. The memories of the woman who left weigh down on him. That day Bongwan's wife finds a love note, bursts into the office, and mistakes Areum for the woman who left.
Due to the flood of the river Salado, the Gaitáns, a poor family living in the North of Argentina, have lost their house. Forced to make multiple train rides in order to escape the rising ... See full summary »
Everyday the children of the neighborhood known as "Tire Dié", in the city of Santa Fe, wait for the train to ask for money, shouting "Tire dié!" (toss me a dime!) to the passengers. Considered the first survey-on-film in Latin America.Written by
Edgar Soberón Torchia <email@example.com>
Considered as the first survey documentary, "Tire dié" was originally a photographic essay, proposed by Neo-realist filmmaker Fernando Birri to his students, when he founded the first documentary school in Latin America. The students researched the living conditions in the province of Santa Fe (Argentina), and finally chose one subject for the documentary: the children of the Tire Dié neighborhood, who risked their lives every day, waiting for the passing of a train, to run and beg by the rails, yelling to the passengers "Tire die(z centavos", or "Toss me a dime".) Given the low budget of the production, the filmmakers worked with limited conditions and were forced to re-release the film with added narration to supply the deficiency of the direct sound. Yet it is a moving documentary, and it became one of the founding stones of the "New Latin American cinema" movement in the late 1950s and the Sixties.
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