Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ...
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Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He meets in prison Camille Bliss to interview her. Camille is accused to have murdered her lover Arthur and ... See full summary »
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, Momo and Ernest. We will discover that Charlie's real name is Edouard Saroyan, once a virtuose who gives up after his wife's suicide. Charlie now has to deal wih Chico, Ernest, Momo, Fido (his youngest brother who lives with him), and Lena...Written by
It doesn't feel like a typical Truffaut film - though I've only seen two others from his filmography - in that it's as stylish and self-reflexive as a Godard film. I had got the sense that Truffaut was more 'conventional' in his films, and this one certainly went against it. Not that I'm complaining, though - it's probably the funniest New Wave flick that I've seen. There are loads of little comic moments that reminded me of the modern British comedies - stuff like Snatch and Shaun of the Dead - that I love. But it's also got a dark edge, and not in the black comedy sense. It's pretty depressing, and that's where it fits in line with Truffaut's other films. It's not the relatively light-hearted depression of Godard's films, it's full-fledged tragedy. However, the combination of drama and comedy doesn't always mesh well, as it rarely does for me, and the characters seem too short-changed to justify such an ending. Still, it's very witty and fairly entertaining.
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