7.4/10
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39 user 33 critic

Cash on Demand (1961)

Not Rated | | Crime, Drama, Mystery | 15 December 1963 (UK)
A charming but ruthless criminal holds the family of a bank manager hostage as part of a cold-blooded plan to steal 97,000 pounds.

Director:

Quentin Lawrence

Writers:

David T. Chantler (screenplay by), Lewis Greifer (screenplay by) | 1 more credit »
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Cast

Complete credited cast:
Peter Cushing ... Harry Fordyce
André Morell ... Colonel Gore Hepburn (as Andre Morell)
Richard Vernon ... Pearson
Norman Bird ... Arthur Sanderson
Kevin Stoney ... Detective Inspector Bill Mason
Barry Lowe Barry Lowe ... Peter Harvill
Edith Sharpe Edith Sharpe ... Miss Pringle
Lois Daine ... Sally
Alan Haywood Alan Haywood ... Kane
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Storyline

A ruthless crook apparently abducts the wife and child of a bank manager and then masquerades as an insurance company detective while scheming to rob the institution in this crime drama. Unfortunately, some of the manager's employees learn about the plot and the terrified manager must beg them to remain silent. Fortunately, the police have been on the case all along. Written by Dylan Conner

Plot Summary | Add Synopsis

Taglines:

The Most Daring Bank Robbery Ever! See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

15 December 1963 (UK) See more »

Also Known As:

Cash on Demand See more »

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Box Office

Budget:

GBP37,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (original 1963 UK theatrical release) | (DVD)

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Hepburn arrives in a 1959 Maserati 3500 GT. This rare car, especially in right hand drive, in excellent condition in 2019 would be worth well over $200,000. See more »

Goofs

Although failing to shut the inner vault door should result in a burglar alarm going off after 30 seconds, a full 41 tension-filled seconds elapse before Fordyce closes it without triggering the alarm. See more »

Quotes

[Fordyce tells Miss Pringle to remove the Christmas cards that she is displaying on her desk]
Fordyce: Banking is one of the few dignified businesses left in the world, Miss Pringle. Do you mind terribly if we keep it that way?
See more »

Connections

Referenced in Endeavour: Coda (2016) See more »

Soundtracks

The First Noel
(uncredited)
Traditional English carol
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User Reviews

 
The script is very good--the acting of Peter Cushing and André Morell make it exceptional
15 May 2011 | by MartinHaferSee all my reviews

I was going to give this film an 8, but when I thought about how inexpensively and expertly the movie was made, I really think it deserves a 9. This is a great case of a relatively simple plot made a whole lot better by wonderful acting and direction. In particular, André Morell plays a deliciously evil yet complex villain and Peter Cushing gives what is probably his best performance in his long career. As a result, it's well worth seeing--and a great example for film makers, as it proves you don't need a huge budget and complex sets to make a good film.

The film is set in a bank. The manager (Cushing) is a humorless and exacting boss--very efficient but not one to inspire his employees' love or devotion. However you dislike the guy, though, you can't help but feel for him with what happens next. A guy who purports to be from the underwriter for the bank arrives and asks to meet with Cushing alone. The man (Morell) then announces that he is, in fact, a bank robber and that if Cushing does not cooperate, Cushing's wife and son will be tortured or killed. And, he provides a phone message with the scared wife to prove that he means business. What will happen next? Cushing IS a very efficient man, but he loves his family and can't let them be hurt.

Throughout the film, I marveled at Cushing. The actor was known mostly for his horror films, but he appeared in gobs of movies--but never one that allowed him such an opportunity to emote like this. Cushing is very, very convincing as a scared and lonely man who feels trapped. It's too bad that many of his other roles were a bit one-dimensional and didn't let him demonstrate he was a heck of an actor. Morell is also quite good--but his smooth criminal doesn't provide him quite the same depth and opportunity as Cushing's. This is Cushing's film.

An exciting plot, wonderfully written characters and great acting--what more could you ask for in a crime film?! See this one.


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