7.0/10
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3 user 1 critic

Days of Thrills and Laughter (1961)

An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s. It starts with a 1905 look at French comedy, goes through the 1910s with ... See full summary »

Director:

Robert Youngson

Writer:

Robert Youngson
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Cast

Cast overview, first billed only:
Douglas Fairbanks ... Himself (archive footage)
Charles Chaplin ... Himself (archive footage) (as Charlie Chaplin)
Stan Laurel ... Himself (archive footage)
Oliver Hardy ... Himself (archive footage)
Harry Houdini ... Himself (archive footage) (as Houdini)
Pearl White ... Herself (archive footage)
Harry Langdon ... Himself (archive footage)
Ben Turpin ... Himself (archive footage)
Charley Chase ... Himself (archive footage) (as Charlie Chase)
'Snub' Pollard ... Himself (archive footage) (as Snub Pollard)
Mack Sennett ... Himself (archive footage)
Roscoe 'Fatty' Arbuckle ... Himself (archive footage) (as Fatty Arbuckle)
Mabel Normand ... Herself (archive footage)
Ford Sterling ... Himself (archive footage)
Boris Karloff ... Himself (archive footage)
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Storyline

An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s. It starts with a 1905 look at French comedy, goes through the 1910s with Sennett, Chaplin, and Fairbanks, and into the 1920s with Max Roach, Snub Pollard, Harry Langdon, Al St. John, Charlie Chase, and the teaming of Laurel and Hardy. Thrillers feature Houdini and serials, with special attention to Pearl White, Ruth Roland, and Monty Banks. The film often lets the silent pictures speak for themselves, running entire one-reelers or significant chunks of an old movie. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

psychotronic film | See All (1) »

Taglines:

Hollywood's Wildest, Most Wonderful Era!


Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

5 May 1961 (Ireland) See more »

Also Known As:

Risas y sensaciones de antaño See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(cut) (1961)

Sound Mix:

Mono

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

This film makes extensive use of Chopin's "Tristesse" and Franz Von Suppe's "Morning, Noon and Night in Vienna". See more »

Goofs

(At 1:08)The opening credits misspell 'Charley Chase' as "Charlie Chase." See more »

Quotes

Narrator: [Porters drop a crate at a party, revealing a lion inside] This is a coming-out party, and look what's coming out.
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Crazy Credits

"Days of Thrills and Laughter" opens with what the narrator calls "the first double-feature title" in which the opening credits are shown on the right-hand side of the screen while an excerpt from the 1922 Snub Pollard comedy "The Movies" is displayed on the left.

When the credit for the film's composer-conductor appears, the narrator calls out, "Hold it!" and both sides of the frame freeze. "OK, bring up that name," intones the narrator, as "Jack Shaindlin" expands to nearly the full width of the frame. The narrator declares, "That's enough!," the name shrinks back to its original size, and the movie starts up again, with the narrator explaining, "Sorry, folks, it's in his contract."

At the end of the credits sequence, the movie freezes once again so producer-writer Robert Youngson's name can do a cartwheel while expanding to large size. To which the narrator exclaims, "What a showoff! Take Youngson down - all the way down!" as the name shrinks and disappears. See more »

Connections

Follows The Golden Age of Comedy (1957) See more »

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User Reviews

 
Unsatisfying compilation, but the best bits are cherishable.
27 October 1999 | by alice liddellSee all my reviews

Robert Youngson compilation of excerpts from silent movies. The 'thrills' feature some bizarre Hollywood action films, daredevil stunts, villainous villains, terrifying cliffhangers, hurtling trains, impassive heroes and knowing, smiling, up-for-it heroines. The 'laughter' is by far the most pleasurable section, recovering sadly obscure comics such as Snub Pollard, and paying testament to their bounteous invention, thoughtfulness and sheer good humour. The presentation of the film grates, especially with a narrator far too pleased with himself.


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