6.3/10
62
2 user 1 critic

Pecado de amor (1961)

Writers:

Luis César Amadori (screenplay) (as Gabriel Peña), Luis César Amadori (story) (as Gabriel Peña) | 2 more credits »
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Cast

Cast overview, first billed only:
Sara Montiel ... Magda Beltrán / Sor Belén
Reginald Kernan ... Adolfo Vega Linares
Rafael Alonso ... Maestro Miranda
Gérard Tichy ... Gerardo Esquivel
Terence Hill ... Ángel Vega (as Mario Girotti)
Alessandra Panaro ... Esperanza
Ana María Custodio ... Sra. Vega (as Ana Maria Custodio)
Ana María Noé Ana María Noé ... Bella (as Ana Maria Noe)
Clelia Matania ... Sirvienta de Magda (as Clelia Mattania)
Xan das Bolas ... Sereno
Jorge Llopis Jorge Llopis
María Silva ... Novia y esposa de Ángel Vega (as Maria Silva)
Isabel Pallarés ... Sor María
Eleonora Bianchi Eleonora Bianchi ... Aurora
Diego Hurtado Diego Hurtado ... Secretario de Adolfo Vega
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Storyline

Add Full Plot | Add Synopsis

Plot Keywords:

nun | flashback | See All (2) »

Genres:

Musical | Drama

Certificate:

See all certifications »
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Details

Country:

Spain | Italy

Language:

Spanish

Release Date:

3 May 1962 (Mexico) See more »

Also Known As:

Antio ston erota See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono

Color:

Color (Eastmancolor)
See full technical specs »
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Did You Know?

Soundtracks

Plegaria
("Sueño de amor")
By Franz Liszt
Lyrics by Rafael de León
Performed by Sara Montiel
Courtesy of Hispavox
See more »

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User Reviews

 
Wondrously Over- the-Top Musical Melodrama!
4 May 2005 | by davidfmwingroveSee all my reviews

This deliciously camp Spanish musical opens with the unlikely sight of Sara Montiel - primly voluptuous sex-symbol of Franco's Spain - dressed in a nun's habit. At first, you think this must be some sort of con-job (like Whoopi Goldberg in Sister Act) but then you realise that no, her character actually is a nun!

She became a nun, of course, to atone for a life of depravity and sin. The story proper is told in flashback. We see her rise from murky origins to become a world-famous nightclub chanteuse - tormented, alas, by her love for a married man. Basically, this 'plot' is just an excuse for Sara to sing lots of songs and wear lots of extravagant gowns. She does both, of course, in the grand manner.

As if to recognise that Sara's stardom extended well beyond Spain, the 'story' sends her on a tour throughout Europe. Once she hits Athens, she dons a Grecian robe and sings a ballad in fluent Greek, in a nightclub whose decor resembles a Las Vegas version of the Parthenon. Now that's what I call an icon!


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