4 short films by a quartet of directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged American. ...
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Having renounced her ignominious past, a former streetwalker reunites with her son. However, an extortion scheme endangers her aspirations for a decent bourgeois life. Can she protect him from the same snares that wounded her youth?
Pier Paolo Pasolini
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex: he asks children where babies come from, young and old women if they are men's equals, men and women if a woman's ... See full summary »
Pier Paolo Pasolini
"La Rabbia" employs documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, ... See full summary »
Pier Paolo Pasolini
Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son... See full summary »
Pier Paolo Pasolini
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is ... See full summary »
4 short films by a quartet of directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged American. Godard's 'New World' ('Il Nuovo Mondo') illustrates a post-apocalyptic world the same as the pre-apocalyptic one, but for an enigmatic change in attitude in most people, including the central character's girlfriend. Pasolini's 'Curd Cheese' ('La Ricotta'), a lavish film about the life of Jesus Christ is being made in a poor area. The people subject themselves to various indignities in the name of moviemaking (and to get some food). The central character's hoisted up on a cross for filming, and dies there. Finally, Gregoretti's 'Free Range Chicken' ('Il Pollo Ruspante') in which a materialist family inadvertently shows the cynical, metallic-voiced doctrine of a top sales theorist.Written by
The section entitled "La Ricotta" is featured on the 2-Disc Criterion Collection DVD for Mamma Roma (1962). See more »
The city hadn't changed, but Alessandra had. And I didn't know it yet.
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The Portuguese subtitled version was shown with episodes in a different order: first Frango no Campo / "Pollo rumpante, Il"; then O Novo Mundo / "Nuovo mondo, Il"; and last "Pureza" / "Illibatezza". Pasolini's episode was totally cut by the scissors of official censorship in the theatrical release. See more »
1) "Illibatezza" ("Pureza" "Purity") Director: "Roberto Rossellini" - A Boring Tale of Obsession
The Alitalia flight attendant Ana Maria (Rosanna Schiaffino) is harassed by the middle-aged American executive Joe (Bruce Balaban). A psychiatrist gives an orientation to her fiancé Carlo (Carlo Zappavigna), advising Ana Maria to behave like a slut, since the maniac is attracted by her chastity.
This first segment of "Ro.Go.Pa.G." is very disappointing, especially because of the name of Roberto Rossellini in the direction. This boring tale of obsession is neither funny nor dramatic, and seems to be only an advertisement of Italian air flight company Alitalia. My vote is four.
2) "Il Nuovo Mondo" ("O Novo Mundo" "The New World") Director: Jean-Luc Godard - A Dated Romance
The boy-friend of the gorgeous Alessandra (Alexandra Stewart) is hardly sleeping, so obsessed he is for her. When she confesses that she is also in love with him, he sleeps for two consecutive days. When he wakes-up, he reads in the newspaper that there was an atomic super-explosion over Paris, but the specialists advise that without any effect in the population. However, Alessandra changes her behavior, ex-loving him, and he feels that a new world without logic and freedom may be arising.
This second segment of "Ro.Go.Pa.G." is also very disappointing and absolutely dated in the theme and behavior, with every character smoking cigarettes all the time. It is a clear criticism to the menace of an atomic explosion in times of Cold War, and the absolutism of a world without freedom. The narrative in off makes the viewer expect some intriguing conclusion, but in the end it is completely failed and boring. My vote is four.
3) "La ricotta" ("A Ricota") Director: Pier Paolo Pasolini - An Acid View of the Catholicism and the Dominant Classes
While shooting "The Passion of Christ" in the periphery of Rome, the arrogant director (Orson Welles), actors, actresses and cast show their lack compassion with the poor and famine Stracci (Mario Cipriani).
This segment is a very acid view of the Catholicism, and a criticism to the bourgeoisie and the behavior of the human beings in general. The character of Stracci symbolizes the poor people in the world, and how despised they are by the hypocrite dominant classes and the Catholic Church that prays for them. The use of black and white to represent the reality, and colors the fiction of the cinema world is also great. My vote is seven.
4) "Il Pollo Ruspante" ("Frango Caseiro" "Home Cockerel") Director: Ugo Gregoretti - Powerful Criticism to Consumerism and Capitalism
While traveling to see a field nearby a lake, a family does not resist to the appeal of the consumerism. Meanwhile, a famous professor presents to the dominant classes, procedures to increase the consumerism of ordinary people.
This segment is a very explicit criticism to the exaggerated consumerism in the society. The scene when Togni (Ugo Tognazzi) and his middle class family goes to the restaurant is memorable. My vote is seven.
My global vote is six.
Title (Brazil): "Ro.Go.Pa.G."
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