In the first episode, Quirino tries to conquer Gabriella, lover of Alvaro, with the complexity of shyness. In the second part, Prof. Beozi, in order to avoid a scandal, ends up in a raid of... See full summary »
An obscure Italian magistrate suspects that a well-known industrialist commited murder, and decides to investigate him, and bring him to court, whatever it takes. But - will the magistrate ... See full summary »
Antonio is a jolly and precise guy working for an auto factory in northern Italy. He decides to take his wife and two daughters on vacation to Sicily, so that they can finally see his hometown and meet his family. He's excited to show them around and dispel many of their negative stereotypes about Sicilians. He even dispels stereotypes about the mafia, saying that being a mafioso as a teen amounted to just being a messenger boy. But as Antonio reconnects with his past in Sicily, he finds out that there are more sides to being a Sicilian than he remembers.Written by
This is the face of a MAFIOSO...sometimes smiling, sometimes savage. Here is the story of a man who returns to his native Sicily for a holiday and finds himself again bound to the silent laws of "The Honored Society."
They are still talking about building a bridge across the Strait of Messina more than 55 years after this picture was made. See more »
[Nino's wife has succeeded in removing noticeable mustache hair from Rosalia's upper lip]
Rosalia, come. Let me look at you! You're like porcelain. Smooth. White. Take my advice. Marry before your mustache grows again!
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Italian cultural icon and cinematic great Alberto Sordi (1920-2003) was in peak form when he starred as Antonio Badalamenti, a Sicilian who's become a successful FIAT executive and efficiency expert in Milan and goes on a two-week vacation to his hometown of Catanao in Sicily with blonde northern wife and two little blonde daughters. Laughs and thrills happen when they're welcomed back into Antonio's family and the good graces of Mafia boss Don Vincenzo. It turns out Antonio not only owes the Don a favor for getting him the job up north, but is regarded by the local Cosa Nostra as a piciotto d'onore, a kid who distinguished himself in the ranks (maybe you could loosely translate the phrase "good old boy") and he also happens to be the best marksman the town has ever known. What starts out as a broad comedy and a warm social satire on the Italian south turns more serious and intense as the hero fits right in and his initially standoffish wife starts liking the family and bonding with one female member whose beauty she's able to bring out.
Fine writing, direction, and use of locations add up to a seamless film. You're never bored for a minute and most of the time you're hugely entertained, so it makes sense that Mafioso is going to have a revival release in the United States. It's unseen here, not on DVD and would be worth seeing not only for the fun it provides but for the display of Alberto Sordi's range and fluency as an actor. Sordi starred in Fellini's early pair, The White Sheik and I Vitelloni. Andrew Sarris has said Lattuada is "a grossly under-appreciated directorial talent." Il Mafioso shows the writing skills of Marco Ferreri and Rafael Azcona, working with the team known as Age & Scarpelli (Agenore Incrocci and Furio Scarpelli). Their screenplay may be tongue-in-cheek, but it nonetheless provides insight into the Mafia, and the film's picture of Sicilian town life (in wonderfully rich grainy black and white, high style for the time) is vivid and authentic-looking and -feeling. Music by Piero Piccioni, another mainstay of Italian cinema (Il bel Antonio, Salvatore Giuliano, Una vita violenta). Produced by Dino De Laurentis with Antonio Cervi; this can also be seen as a product that reflects the energy and spirit of Italy's postwar "economic miracle" period when so much was exciting culturally in the country cinema, literature, design.
Shown in a handsome new print as part of the 2006 New York Film Festival. I would give this a 9 out of ten but the overall plot somehow seems too incongruous.
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