Bay of Angels (1963) - News Poster



Michel Legrand, Oscar-Winning Composer, Dies at 86

  • Variety
Michel Legrand, Oscar-Winning Composer, Dies at 86
Michel Legrand, three-time Oscar winner and composer of such classic film songs as “The Windmills of Your Mind,” “I Will Wait for You,” “You Must Believe in Spring” and “What Are You Doing the Rest of Your Life?,” along with the groundbreaking musical score for “The Umbrellas of Cherbourg,” has died. He was 86.

Legrand died at his home early Saturday in Paris, his publicist told Agence France-Presse. His wife, French actress Macha Meril, was at his side.

His most recent film score was “The Other Side of the Wind,” composed for Orson Welles’ last film, which was finally completed and released in 2018. Decades ago, after their 1974 collaboration on “F for Fake,” the legendary director had asked for another Legrand jazz score. “I take it as a gift from Orson, through the clouds,” he said early last year.

The Paris-born Legrand was active in all musical fields, composing classical works, stage musicals,
See full article at Variety »

NYC Weekend Watch: “Gotta Light?,” Jerry Lewis, Nicolas Roeg, ‘The Trial’ & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.


“Gotta Light?” celebrates Twin Peaks‘ epochal eighth episode with features and short programs, while A-z continues.

Belle de Jour screens on Sunday, if you’re not watching Twin Peaks, while a Prick Up Your Ears restoration plays.

Museum of the Moving Image

A mini-Spielberg retro kicks off, while two classics by Jerry Lewis are shown.
See full article at The Film Stage »

Jeanne Moreau (1928-2017)

by Nathaniel R

Jeanne Moreau in Bay Of Angels (1963)

The greatest French New Wave icon Jeanne Moreau has passed away at 89 years of age. I didn't immediately understand the fuss over her in my earliest years of cinephila. That's no reflection on the silver screen goddess herself but rather a byproduct of my uncommon disinterest in François Truffaut's classic Jules et Jim (1962) in which Moreau is the object of both titular men's affections. That movie reliably excites almost everyone who shares the affliction of cinephilia so I can't say why it did so little for me!

But one day, nine years ago, my dear friend Vern who had been experiencing back pain and whose wife was off travelling somewhere brought over Bay of Angels (1963) for me to watch...
See full article at FilmExperience »

The Umbrellas of Cherbourg

Jacques Demy’s international breakthrough musical gives us Catherine Deneuve and wall-to-wall Michel Legrand pop-jazz — it’s a different animal than La La Land but they’re being compared anyway. The story of a romance without a happily-ever-after is doggedly naturalistic, despite visuals as bright and buoyant as an old MGM show.

The Umbrellas of Cherbourg


The Criterion Collection 716

1964 / Color / 1:85 widescreen / 92 min. / available through The Criterion Collection / Les parapluies de Cherbourg / Street Date April 11, 2017 / 39.95

Starring: Catherine Deneuve, Nino Castelnuovo, Anne Vernon, Marc Michel, Ellen Farner, Mireille Perrey, Jean Champion.

Cinematography: Jean Rabier

Production design:Bernard Evein

Film Editors: Anne-Marie Cotret, Monique Teisseire

Original Music: Michel Legrand

Produced by Mag Bodard

Written and Directed by Jacques Demy

What with all the hubbub about last year’s Oscar favorite La La Land, I wonder if Hollywood will be trotting out more retro-nostalgia, ‘let’s put on a show’ musical fantasy fare.
See full article at Trailers from Hell »

The Magic of Jacques Demy

Taking a look at the French director’s fascinating filmography.

One of the biggest films of 2016, La La Land, owes a thing or two to French director Jacques Demy. The bright, colorful musical visually mirrors Demy’s The Umbrellas of Cherbourg (1964) and The Young Girls of Rochefort (1967), and director Damien Chazelle was able to capture something of the melancholic sweetness of Demy’s musicals. Demy is not one of the most famous French directors, however his films have a specific charm and intelligence that no other filmmaker could match. The way he blended Hollywood style with French culture was unlike any other filmmaker at the time.

Demy began his career in 1960s France, during the time of the “Nouvelle Vague” or French New Wave. This was the time of films such as Breathless, Jules and Jim, The 400 Blows, and Le Beau Serge. However, Demy lies a little bit outside of this group of filmmakers, and
See full article at FilmSchoolRejects »

Jean Rabier obituary

Cinematographer who for many years was Claude Chabrol’s ‘third eye’

There is no cinematographer in the history of cinema who worked so consistently for so long with the same director as Jean Rabier, who has died aged 88. To achieve this record, Rabier worked on more than 40 films with Claude Chabrol, and that was more than three-quarters of his entire output.

Yet he will perhaps be remembered most for the two films he shot for Jacques DemyBay of Angels (La Baie des Anges, 1963) and The Umbrellas of Cherbourg (Les Parapluies de Cherbourg, 1964) – and the two for Demy’s wife, Agnès Varda: Cléo from Five to Seven (Cléo de 5 à 7, 1961), and Happiness (Le Bonheur, 1965).

Continue reading...
See full article at The Guardian - Film News »

Fashion in film celebrated in New York by Anne-Katrin Titze - 2015-04-01 09:56:39

Audrey Hepburn in Givenchy with Fred Astaire - Stanley Donen's Funny Face

Spring in New York comes alive with Haute Couture on Film featuring the work of Hubert de Givenchy in Stanley Donen's Funny Face, starring Audrey Hepburn, Fred Astaire and Kay Thompson, presented by Eye For Film's Anne-Katrin Titze on April 7.

See creations by Pierre Cardin in Jacques Demy's Bay Of Angels (La Baie Des Anges) with Jeanne Moreau, Claude Mann, Paul Guers and Henri Nassiet. Emanuel Ungaro made the clothes for Gena Rowlands in John Cassavetes' Gloria with Julie Carmen and Buck Henry. Coco Chanel in Jean Renoir's The Rules Of The Game (La Règle Du Jeu) dressed Nora Gregor, Paulette Dubost, Mila Parély and Odette Talazac. Be dazzled by Christian Dior in Jean Negulesco's How To Marry A Millionaire with Marilyn Monroe, Betty Grable, and Lauren Bacall. Yves Saint Laurent's
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The Essential Jacques Demy: The Director's Candy-Colored Films Get The Criterion Treatment

“French director Jacques Demy didn’t just make movies—he created an entire cinematic world.” So say the good folks at Criterion over at the page for the recently released box set of perhaps the most undervalued member of the French New Wave. Demy stood out compared to the rest of the movement, insofar as he embraced a lot of Hollywood cliches—storybook romances, melodrama, musicals (quelle horreur!). But at his best, Demy did all that while subverting audience expectations. It’s nearly impossible to describe a Demy film without going gaga over the color schemes in his films. Brilliant, bright and bold (to say the least), his color films can sometimes blind the viewer with their sheer candy-colored exuberance. But this set proves that he wasn’t only interested in musicals and technicolor spectacle. Two of the six feature films herein (“Lola” and “Bay of Angels”) are black and white; on the surface,
See full article at The Playlist »

New DVD Blu-ray: 'Transcendence,' 'Sabotage,' 'Ginger Snaps'

Moviefone's Top DVD of the Week

"Dom Hemingway"

What's It About? Jude Law dons impressive chops and gold teeth to play a sleazy

safecracker fresh out of jail. Dom took the fall without ratting out his boss (Demián Bichir), and now it's time to pay the piper. Richard E. Grant co-stars as his best friend, whom Dom enlists on his quest to get paid. Emilia Clarke (the mother of dragons!) plays Dom's estranged daughter, Evelyn.

Why We're In: We love darkly funny crime thrillers, and it's cool to see Jude Law back in action.

Moviefone's Top Blu-ray of the Week

The Essential Jacques Demy (Criterion)

What's It About? This box set comes with the most beloved movies by the French auteur: "Lola," "Bay of Angels," "The Umbrellas of Cherbourg," "The Young Girls of Rochefort," "Donkey Skin," and "Une Chambre en Ville."

Why We're In: In addition to the digital restorations of these delightful classics,
See full article at Moviefone »

Blu-ray, DVD Release: The Essential Jacques Demy

Blu-ray & DVD Release Date: July 22, 2014

Price: Blu-ray/DVD Combo $124.95

Studio: Criterion

French director Jacques Demy launched his glorious feature filmmaking career in the Sixties, a decade of astonishing invention in his national cinema. He stood out from the crowd of his fellow New Wavers, however, by filtering his self-conscious formalism through deeply emotional storytelling. Fate and coincidence, doomed love, and storybook romance surface throughout his films, many of which are further united by the intersecting lives of characters who either appear or are referenced across titles.

Six of Demy’s films are collected in The Essential Jacques Demy. Ranging from musical to melodrama to fantasia, all are triumphs of visual and sound design, camera work, and music, and they are galvanized by the great stars of French cinema at their centers, including Anouk Aimée (8 1/2), Catherine Deneuve (Belle de Jour), and Jeanne Moreau (Jules and Jim).

The six works here, made
See full article at Disc Dish »

Criterion Announces July Titles Including Cronenberg's 'Scanners', 'Insomnia' and 'Big Chill'

Criterion has announced their July 2014 titles and among them is one fans have been waiting a long time to see introduced, David Cronenberg's head-exploding sci-fi Scanners, set for a July 15 release. The set will include a newly restored 2K digital film transfer, supervised by Cronenberg, "The Scanners Way" visual effects documentary, a new interview with Michael Ironside, a 2012 interview with actor and artist Stephen Lack, an excerpt from a 1981 interview with Cronenberg on the CBC's "The Bob McLean Show" and Cronenberg's first feature film, Stereo (1969). Also on July 15 comes Robert Bresson's 1959 classic Pickpocket, telling the story of Michel (Martin Lasalle), a young pickpocket who spends his days working the streets, subway cars, and train stations of Paris. Features include: New, 2K digital film restoration, with uncompressed monaural soundtrack on the Blu-ray Audio commentary by film scholar James Quandt Introduction by writer-director Paul Schrader The Models of "Pickpocket," a
See full article at Rope Of Silicon »

The Criterion Collection Announces Its July 2014 Titles

The Criterion Collection has announced two new titles, two Blu-ray upgrades and a seven-film box set for release this July. Check out the new cover art along with a full list of extra features for each in the gallery viewer below! Debuting in the collection are David Cronenberg's Scanners and Lawrence Kasdan's The Big Chill as well as a set of Jacques Demy films that includes Lola , Bay of Angels , The Umbrellas of Cherbourg , The Young Girls of Rochefort , Un Chambre en Ville and Donkey Skin . Erik Skjoldbjærg's Insomnia and Robert Bresson's Pickpocket , meanwhile, are receiving HD upgrades. Special features for the new releases are listed as follows: Scanners - New, restored 2K digital film transfer, supervised by director David Cronenberg, with...
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Top Ten 1960s

I still have a lot more to see from the 1960s but this top ten, more than most apart from the 1980s is a combination of films I fell for as a child on television in the 70s and 80s and films I love now as an adult. I'm bookending with two Natalie Wood features -- the first actress I ever loved -- though I recognize that they are more personal favorites than perfect films. That caveat aside I do find Bob & Carol & Ted & Alice to be grossly undervalued since it's essentiall a comedy about its time and therefore "light" and "dated" . Still, I absolutely insist, it's a wonderful wonderful light and dated thing. At the top of the list West Side Story has been my favorite film of all time for as long as I remember being conscious of movies so it'll just have to keep on being so
See full article at FilmExperience »

Col*Coa: City of Lights City of Angels Free Closing Night Films + 2 April 22!

Col*Coa is winding down, but you can still catch a few stellar films and see the award winners for free Monday, April 22, 2013.

Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.

You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.

Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)

Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.

At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.

Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."

Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.

Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.

Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.

Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.

Below you can see the international sales agents for the current features showing.

11.6 / 11.6 (Isa: Wild Bunch)

Directed by: Philippe Godeau

Written by: Philippe Godeau, Agnès De Sacy

A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)

Directed by: Stéphane Brizé

Written by: Stéphane Brizé, Florence Vignon

Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier

Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement

Directed by: Élie Wajeman

Written by: Élie Wajeman, Gaëlle Macé

Armed Hands / Mains armées (Isa: Films Distribution)

Directed by: Pierre Jolivet

Written by: Pierre Jolivet, Simon Michaël

Augustine / Augustine (Isa: Kinology, U.S.: Music Box)

Directed by: Alice Winocour

Written by: Alice Winocour

Aya Of Yop City / Aya de Yopougon (Isa: TF1)

Directed by: Clément Oubrerie, Marguerite Abouet

Written by: Marguerite Abouet

Bay Of Angels / La Baie des anges (U.S.: Criterion)

Directed by: Jacques Demy

Written by: Jacques Demy

Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)

Directed by: Philippe Béziat

Written by: Philippe Béziat

Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)

Directed by: Philippe Le Guay

Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay

Fly Me To The Moon / Un plan parfait (Isa: Kinology)

Directed By: Pascal Chaumeil

Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen

Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)

Directed by: Christian Vincent

Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch

Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)

Directed by: Nouri Bouzid

Written by: Nouri Bouzid, Joumène Limam

Hold Back / Rengaine (Isa: Pathe)

Directed by: Rachid Djaïdani

Written by: Rachid Djaïdani

In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)

Directed by: François Ozon

Written by: François Ozon

It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)

Directed by: Danièle Thompson

Written by: Danièle Thompson, Christopher Thompson

Jappeloup/ Jappeloup (Isa: Pathe)

Directed by: Christian Duguay

Written by: Guillaume Canet

Le Grand Soir / Le grand soir (Isa: Funny Balloons)

Directed by: Benoît Delépine and Gustave de Kervern

Written by: Benoît Delépine and Gustave de Kervern

Little Lion / Comme un Lion (Isa: Pyramide)

Directed by: Samuel Collardey

Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey

Moon Man / Jean de la lune (Isa: Le Pacte)

Directed By: Stephan Schesch

Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer

Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)

Directed By: Régis Roinsard

Written By: Régis Roinsard, Daniel Presley, Romain Compingt

Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)

Directed by: Anne Novion ♀

Written by: Olivier Massart, Anne Novion, Pierre Novion

Sons Of The Wind / Les Fils du vent (Isa: Wide)

Directed by: Bruno Le Jean

Written by: Bruno Le Jean

Stavisky / Stavisky (1974) (Isa: StudioCanal)

Directed by: Alain Resnais

Written by: Jorge Semprún

The Attack / L’Attentat

France, Belgium, Lebanon, Qatar, 2013

Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)

The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)

Directed by: André Téchiné

Written by: André Téchiné, Jean Gruault, Pascal Bonitzer

The Dandelions / Du Vent dans mes mollets ✡

Directed By: Carine Tardieu

Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer

The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)

Directed by: Louis Malle

Written by: Louis Malle

The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))

Directed By: Sébastien Lifshitz

The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)

Directed by: Jean-Pierre Améris

Written by: Jean-Pierre Améris , Guillaume Laurant

THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)

Directed by: Claude Miller

Written by: Claude Miller, Natalie Carter

Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)

Directed by: Catherine Corsini

Written by: Catherine Corsini, Benoît Graffin

To Our Loves / À nos amours (1983) (U.S. Janus)

Directed By: Maurice Pialat

Written By: Arlette Langmann, Maurice Pialat

True Friends / Amitiés sincères (Isa: Snd Groupe 6)

Directed By: Stéphan Archinard, François Prévôt-Leygonie

Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster

Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)

Directed By: Édouard Deluc

Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot

What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)

Directed by: Alexandre de La Patellière, Matthieu Delaporte

Written by: Alexandre de La Patellière, Matthieu Delaporte

You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)

Directed By: Alain Resnais

Written By: Alain Resnais, Laurent Herbiet
See full article at SydneysBuzz »

Colcoa Classics Abound! - Preliminary Programming Announced

This is one of my favorite L.A. Events!! The 17th annual City of Lights, City of Angels (4/15-22) will feature a bevy of homages, classics, restorations and retrospectives of renowned French filmmakers. The festival is also inaugurating its first producer focus, highlighting two films of the honoree during festival week.

Carte Blanche To An American Filmmaker: Wes Anderson

Col•Coa has given director Wes Anderson carte blanche to program one of his favorite French films in the 2013 Classics series. He chose The Fire Within (1963), directed by Louis Malle and starring Maurice Ronet & Jeanne Moreau (Col•Coa Classics presented in Association with Janus Films and L’Institut Francais). Anderson is the writer-director of Moonrise Kingdom, Fantastic Mr. Fox, The Royal Tenenbaums, and Rushmore.

- Focus On A Producer: Anne-dominique Toussaint (New)

The Producer Anne-Dominique Toussaint will inaugurate a new rendez vous at Col•Coa entitled Focus On A Producer. On April 20, following the presentation of two recent films produced by Les Films des Tournelles , a discussion with the audience will shed light on the producer’s role in French cinema and France’s financing system.

- Focus On A Filmmaker : Alain Resnais

Col•Coa will honor director Alain Resnais with a special presentation of Stavisky (1974) starring Jean-Paul Belondo, in association with L’Institut FRANÇAIS, as well as a premiere of his new film You Ain’T Seen Nothin’ Yet which will be released in May in the Us.

A panel will revisit the work of the French master, widely regarded as one of the greats of world cinema. (Col•Coa Classics + West Coast Premiere of You Ain’T Seen Nothin’ Yet).

- Homage To Maurice Pialat

Col•Coa will honor writer-director Maurice Pialat on the 10th anniversary of his death, with the screening of To Our Loves (1983) starring Sandrine Bonnaire, in association with L’Institut Francais (Colcoa Classics)

- North American Premiere Of The Restored Version Of Bay Of Angels (50thAnniversary)

Col•Coa will present the digitally restored Bay Of Angels (1963) in partnership of the Franco-American Cultural Fund (Facf). Written and directed by Jacques Demy and starring Jeanne Moreau and Claude Mann, this seldom-seen classic will be presented in association with Ciné-Tamaris and Janus Films to celebrate its 50th anniversary (Col•Coa Classics).

- 35th Anniversary Of The Bronte Sisters

Special 35th anniversary presentation of The Bronte Sisters written and directed by Andre Techiné and starring Isabelle Huppert, Isabelle Adjani & Marie-France Pisier, in association with the Cohen Media Group before its numeric release in the Us (Col•Coa Classics).

The 17th line-up of films in competition for the Col·Coa Awards, will be announced on March 26, 2013.

Col•Coa was created by the Franco-American Cultural Fund, a unique collaborative effort of the Directors Guild of America, the Motion Picture Association, the Writers Guils of America West, and France’s Society of Authors, Composers and Publishers of Music (Sacem). Col•Coa is also supported by France’s Society of Authors, Directors and Producers (L’Arp), the Film and TV Office of the French Embassy in Los Angeles, the Cnc and Unifrance.

For more information, please contact:

In Paris, Vanessa Jerrom (

In Los Angeles, Cathy Mouton (
See full article at SydneysBuzz »

Wes Anderson Selects Louis Malle's 'The Fire Within' for Carte-Blanche Programming Screening at Col*Coa 2013

Wes Anderson Selects Louis Malle's 'The Fire Within' for Carte-Blanche Programming Screening at Col*Coa 2013
La's 17th annual City of Lights, City of Angels French film festival (Col*Coa) has given director Wes Anderson carte-blanche to program one of his favorite French films. No surprise here, Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama "The Fire Within." The film is based on the novel by Pierre Drieu La Rochelle, source material that also inspired last year's festival favorite "Oslo, August 31." It stars Maurice Ronet (also in Malle's "Elevator to the Gallows") and French New Wave legend Jeanne Moreau. (For more evidence of Anderson's cinephile leanings, check out his Top 10 for Criterion here.) Moreau is highlighted in another Col*Coa repertory pick for the upcoming 2013 fest, Jacques Demy's resplendent "Bay of Angels," about a duo of star-crossed lovers caught in the glittery world of Mediterranean casinos. It will screen in a restored 35mm print. The fest runs April 15-22. Info on screening dates,
See full article at Thompson on Hollywood »

Academy Silents Series Draws Crowds

Academy Silents Series Draws Crowds
What works in theater programming is creating events, whether it's talent Q & As (Errol Morris and Tabloid subject Joyce McKinney have been drawing crowds) or rarely-screened classics at Lacma, which drew good numbers for its French films The Earrings of Madame De last weekend followed by Saturday's double feature of Robert Bresson's Pickpocket and Jacques Demy's Bay of Angels starring a dazzling Jeanne Moreau as a bad girl gambling her way around the French Riviera. Even dusty silents can be a a draw, reports Cari Beauchamp: "The Summer of Silents," currently mid-way through its eight weeks series at the Academy of Motion Pictures Arts and Sciences, has been an incredible success. The public programs at the Academy are always impeccably curated, but screening the ...
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And I Know That My Comments Will Go On...

Thank you to all commenters! I've had a rough week off blog and I enjoy hearing your thoughts. Spambots are getting smarter. Their latest trick is to copy your actual comments -- the text being totally related to the post -- and repost with their sales link, so blog masters like myself think it sounds legit. Argh. Knowing that real people take the time to comment is such a blessing... especially with impostors in the mix. Plus, it's nice to know that things get read once they're off the main page.

Here's some highlights from older discussions...

Burning Reels saw the documentary Last Train Home (now in theatrical release) about the world's largest migration, annually in China, which I recommended back in January. Reels agrees that it's superb but has a minor quibble with the finale. Some awards pundits think this doc has a small chance to show up in the Oscar race.
See full article at FilmExperience »

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