Chip Morton and Curley Jones are in New London making repairs on the diving bell's guidance system. At the same time a skirmish in the control room of the Seaview sails directly into a derelict mine ...
When the Earth is threatened by a burning Van Allen Radiation Belt, U.S. Navy Admiral Harriman Nelson plans to shoot a nuclear missile at the Belt, using his experimental atomic submarine, the Seaview.
David Vincent, an architect returning home after a hard, hard, day parks his car in an old ghost town in order to rest for a while before continuing on home. Suddenly, in the middle of the ... See full summary »
Voyage chronicled the adventures of the world's first privately owned nuclear submarine, the SSRN Seaview. Designed by Admiral Harriman Nelson, she was a tool of oceanographic research for the Nelson Institute of Marine Research. Though the show is known for its "monster" episodes, many plots were veiled commentaries of what was happening in the news. Such plotlines as nuclear doomsday, pollution of natural resources, foreign threat, and theft of American technology are all still relevant today.Written by
Linda Adams <Garridon@aol.com>
Late in the filming of the second season, Richard Basehart fell ill during the filming of the episode "The Monster's Web", and was unable to complete that episode, and work on the next two. "The Monster's Web" was re-written to minimize the part of his character, Admiral Nelson (knocked out of action in the first act), with a stand-in used for many shots with his face hidden and lines dubbed. The next episode, "The Menfish", had Nelson away, and his lines reassigned to guest character Admiral Park (Gary Merrill). The following episode, "The Mechanical Man", had Nelson still away, and reassigned his lines to Captain Crane (David Hedison) and Crane's lines to Commander Morton (Robert Dowdell). Basehart returned in time to appear in the season finale, "The Return of the Phantom". See more »
Strangers are routinely taken aboard the Seaview and are left free to roam around unescorted, despite the ship having nuclear weapons. See more »
A man learns a great deal sitting on top of an armed nuclear bomb for twenty-four hours.
I can think of a number of important people in this world of ours who would profit enormously from the experience.
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The Seaview is confronted by a giant seaweed monster with two eyeballs. "I've never seen anything like it!" Exclaims Nelson. Yes, you have, it was on three episodes previously. In fact that eyeball monster was a regular fixture on the show. Whenever they ran out of ideas (which was all too frequent) out would come Mr Eye balls. In one episode they couldn't be bothered to show some rogue scientists so they just had someone relay the information that there were a bunch of rogue scientists on the seabed controlling Mr Eyeballs. They had a villain on board who kept talking to them through a walkie-talkie. Spare no expense!
But you gotta love those titles, usually self explanatory such as 'Terror on dinosaur island' or my personal favourite, 'The monster from outer space.' Highlights include a scientist who took a drug that expanded him in size. It also expanded his clothes and he sprouted fangs ('Behemoth', God, why do I remember that?) Also the under-sea spider. Well cool. Every week Kowalski would be chewed out by the chief or the crew would fling themselves from side to side of the sub. Getting bored with this they introduced a flying sub that would fly around endlessly for little reason and inevitably crash land.
On and on the series went. Eventually they dispensed with all the monsters and had the crew just walking up and down the corridors with the odd lobster man dropping in to break the monotony. Richard Basehart, seeing a once promising career disappearing under the beach break, became increasingly irritable as the series staggered on. In one episode the Seaview was taken over by seaweed for the umpteenth time and he was hilariously indifferent and short-tempered. Grabbing a laser gun with a 'don't-bother-me-with-this' shrug he flatly said "We'll burn it with this" and proceeded to do so with all the urgency of a man filling in a tax bill. Eventually the writers ran out of final scenes so the cast would just stand there looking at each other uncomfortably waiting for Nelson to ad lib something like "er, let's get under way."
It's missed. Sort of.
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