Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
Aged, wealthy Charlotte Hollis has lived as a recluse in the crumbling family plantation mansion in Hollisport, Louisiana since her father Sam Hollis' death thirty-six years ago. The only people who regularly see her are her hard-as-nails but seemingly loyal housekeeper, Velma Crowther, and her longtime friend and physician, Dr. Drew Bayliss. She has lived there most of her life except for a short stint in London thirty-seven years ago following the vicious murder of her married lover, John Mayhew, at the plantation's summer house while Sam was hosting one of his legendary grand balls in the mansion. She and John had planned to run off together that night, but instead he was bludgeoned to death, his head and right hand severed from his body. Nobody was ever convicted for his murder, but most people believe Charlotte did it after John changed his mind about running off with her. They also believe that Charlotte, whom they haven't seen in years, is a crazy old woman. Conversely, ...Written by
On Friday, June 12, 1964, the last day of shooting in Louisiana, after some late-afternoon shots, Joan Crawford was relaxing in her trailer, on hand if needed for additional scenes. She apparently dozed off, because when she woke up, it was dark. When she sent her maid to check when shooting would be completed, she found the place empty. The crew had packed up and left, leaving Joan at the rear of the house, in her trailer, with no transportation back to the motel. Outraged, Joan returned to Los Angeles, California the next day and checked herself into Cedars Sinai Hospital. See more »
When Miriam meets Jewel in public, a smiling young girl extra with a bouffant hairdo and a ribbon in her hair can be seen walking behind them. Seconds later, the same girl walks behind them again. See more »
In 1962, when the careers of acting heavyweights such as Bette Davis, Joan Crawford and Olivia De Havilland were beginning to subside as the years took their toll, director Robert Aldrich directed Whatever Happened To Baby Jane?, a story of sibling jealousy and sadism that saw Davis and Crawford go head to head. The film was notorious not only for it's brilliance, but for it's genuine rivalry between the film's two leads. The film was a success, and unwittingly gave birth to a new genre that has since become known as 'hagspolitation' or 'psycho-biddy thrillers', a splurge of films that usually portrayed a psychotic older woman played by a 1940-50's superstar. Davis and Crawford were the key players in the sub-genre, and they were both cast by Altman in his next film, Hush... Hush, Sweet Charlotte, only for Crawford to drop out due to 'illness', when in reality it was because she just couldn't take Davis' bullying and general nasty behaviour. She was replaced by De Havilland, and although the film doesn't come near to capturing the greatness of Baby Jane, it is still a nice little shocker.
Beginning with a shocking murder that sees a married man who is having an affair with Charlotte (Davis) have his arm and head hacked off with a huge cleaver, the film jumps forward four decades, where the ageing Charlotte lives alone in her giant mansion that is being torn down by city developers. Haunted by the murder of her former lover (for which she may or may not have been the culprit), Charlotte is losing her mind when her cousin Miriam (De Havilland) comes to stay to try and convince her to leave before she is arrested by the developers for failing to leave her home. What follows is Charlotte's fast decent into insanity, but is she being played and manipulated by people after her vast fortune?
The film is a solid horror film with some genuine shocks and extreme gore for its day. Of course, the ever-reliable Bette Davis is superb as the squeaky-voice southern gal seemingly with the mind of an infant. Although the film works well as both a Southern Gothic horror and as a thriller, the film doesn't have the intensity to last out the 2 hours and 15 minute running time and slightly outstays his welcome. But their is solid support from Joseph Cotten, an actor who has never been recognised enough for his excellent body of work, and Agnes Moorehead, another main player in the genre.
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