Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
An anonymous, but deadly man rides into a town torn by war between two factions, the Baxters and the Rojo's. Instead of fleeing or dying, as most other would do, the man schemes to play the two sides off each other, getting rich in the bargain.Written by
Andrew Hyatt <email@example.com>
Clint Eastwood recalled, "I've never been to Italy. I've never been to Spain. I've never been to Germany. I've never been to any of the countries (coproducing) this film. The worst I can come out of this is a nice little trip. I'll go over there and learn some stuff. I'll see how other people make films in other countries." See more »
When Joe is target practicing at the party, and Ramon starts shooting a Winchester rifle at a suit of armor, you can clearly see holes pre-punched out into the armor. See more »
You see, I understand you men were just playin' around, but the mule, he just doesn't get it. Course, if you were to all apologize...
I don't think it's nice, you laughin'. You see, my mule don't like people laughing. He gets the crazy idea you're laughin' at him. Now if you apologize, like I know you're going to, I might convince him that you really didn't mean it.
See more »
When the film first aired on American TV (ABC) in August 1977, a network executive ordered the creation of a new prologue (directed by Monte Hellman) to give a moral justification for the lead character's killings: a prison warden (Harry Dean Stanton) commutes "The Man With No Name's" sentence if he goes to San Miguel and restores order to the town. Neither Eastwood or Leone participated in this new sequence ("The Man With No Name" is seen only from the rear), and this distortion of Leone's creative vision has reportedly been dropped from subsequent presentations. This prologue can be found on the Special Edition DVD and later Blu-Ray release along with an interview with Harry Dean Stanton about its making and sourcing from a Betamax copy of the ABC American TV broadcast. See more »
"Yojimbo" Revisited - The Beginning of the Spaghetti Westerns
A drifter gunman (Clint Eastwood) arrives in the Mexican village of San Miguel in the border of United States of America, and befriends the owner of the local bar Silvanito (Jose Calvo). The stranger discovers that the town is dominated by two gangster lords: John Baxter (W. Lukschy) and the cruel Ramón Rojo (Gian Maria Volontè a.k.a. John Wells). When the stranger kills four men of the Baxter's gang, he is hired by Ramón's brother Esteban Rojo (S. Rupp) to join their gang. However, the stranger plots a scheme working for both sides and playing one side against the other.
"Per un Pugno di Dollari" is a milestone in the history of the cinema, since the genre of "Spaghetti Westerns" didn't really exist previous to this movie. Sergio Leone used the storyline of Akira Kurosawa's "Yojimbo", replacing the samurai without a master ("ronin") Sanjuro Kuwabatake performed by Toshirô Mifune and the scenario of the rural Japanese town in Nineteenth Century by the stranger without a name (Clint Eastwood) and a small Mexican town in the border of the Wild and Far West. The result is a magnificent and remarkable movie, and beginning of the trilogy of Clint Eastwood's character Joe, who proves that "a man with a rifle beats a man with .45", completed by "Per Qualche Dollaro in Più" and "Il Buono, il Brutto, il Cattivo", . My vote is eight.
Title (Brazil): "Por um Punhado de Dólares" ("For a Fistful of Dollars")
35 of 47 people found this review helpful.
Was this review helpful to you?
| Report this