A tongue-in-cheek psycho movie in "Duo-vision." The entire feature employs the split-screen technique used in parts of Brian De Palma's "Sisters" that same year. As a handyman at a seacoast... See full summary »
Richard L. Bare
Hollywood action film star Rafe Stoker has sunk $130,000 of his own money into his own production, but can't find legitimate financing to complete the film. His mob-connected investor ... See full summary »
Matthew Crowe, a whoring, pot-smoking, wandering singer teams up with a tent-show preacher. The preacher recognizes Mathew's charisma, and together they collect big donations delivering ... See full summary »
Stock car racer Tommy Callahan is forced to join Pete Madsen's thrill circus after his blackouts cause a fatal accident that gets him thrown off the circuit. He shows Pete's daughter ... See full summary »
In this spoof of spy films, CIA agent, Kelly, is in Rio De Janeiro spying on a wealthy industrialist, David Ardonian, who secretly plans to turn the world sterile and repopulate it with his harem. UK spy, Susan Fleming, helps Kelly.
The Nazis imprison an Italian general who was planning to switch sides and turn over his army to the Allied side. Allied headquarters sends a small, somewhat misfit group of soldiers to spring the general from prison and carry out his plans.Written by
Although producer/director Roger Corman is known for his "economical" pictures, this World War II actioner belies its $600,000 budget (small by conventional Hollywood standards, but an epic for Corman) and is a well-acted, tightly directed, enjoyable not-quite-so-little picture. The story of a group of misfit Allied soldiers sent to rescue an important Italian general who has been imprisoned by the Nazis, Corman makes good use of the Dubrovnik, Yugoslavia, locations and a cast consisting of much better actors then he usually got, especially Mickey Rooney, Stewart Granger and Henry Silva (in an outstanding performance as a taciturn, deadly killer who isn't quite as cold-blooded as he seems). Even Edd Byrnes is far less annoying than usual, and turns in a good job. The action scenes are very well handled, the picture looks much more expensive than its budget would indicate, and it actually garnered some of the best reviews of Corman's career up to that time, and deservedly so. It's a good one (and compares favorably to "The Dirty Dozen," which it preceded). Check it out.
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