Major Charles Forsythe (Carradine) is a Vietnam veteran U.S. Army officer stationed near Rome. He is a brutal, if effective, commander who was "fragged" by his own men in Vietnam. When he ... See full summary »
Since the death of his mother, Pascal, ten years old, spends his holidays with his father, the rich Laurent Segur. One day, when diving near the shores of Corse, an aircraft falls into the ... See full summary »
A story of a tribe of Amazons in the age of swords and chariots. The film opens with the tribe holding physical contests to select a new queen. Since there are no men in the tribe, they ... See full summary »
Live scenes of Paris and a continuity Narrator link together four dramatic re-enactments of original ballet creations by Roland Petit and his ensemble, Ballets de Paris: Carmen (1949), La croqueuse de diamants (1950), Deuil en 24 heures (1953), and Cyrano de Bergerac (1959).
Les Ballets de Paris,
This anthology of spy stories has the US intelligence chief in Europe, General Bruce, recall a few individual cases he supervised. In the Berlin case, Soviet intelligence Colonel Dimitri Koulov escapes East Berlin to Checkpoint Charlie. The US Army MPs receive him and promise to the overly excited and anxious Soviet defector to inform their HQ in the morning. Koulov explains that his life is in danger and he wants to see General Bruce, to convey secret information.The MPs place Koulov in a hotel for the night and wait for General Bruce's arrival but Soviet agents try to kill Koulov.In the French case, General Bruce recalls how he cooperated with the French when two US submarines, operating in secrecy off French Djibouti, were in danger of sabotage by enemy agents.The US had to solicit French intelligence to help neutralize the enemy group. In the Italian case, General Bruce remembers how the US cooperated with Italian intelligence to save an Italian scientist from being kidnapped by ...Written by
Three quickies for the price of one and you get what you pay for. The plots of the individual segments are necessarily simple but each short film is better than the last. Robert Ryan is peripherally involved in each and his cynical narration seems appropriate only for the last story where even the good guys are bad. Italian, French, and British filmmakers each take their turn in presenting the trio of espionage tales.
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