A group of travelers, including a monk, stay in a lonely inn in the mountains. The host confesses the monk his habit of serving a soporific soup to the guests, to rob their possessions and ... See full summary »
Julien publishes an autobiography focusing on his childhood memories and his odd relationship with his long-estranged mother. His mother, who is unaware of the book's content, tries to reconnect with him and redeem the lost time.
After an accident Raymond has gone blind .His family treats him like a child .But fortunately ,a nun comes to his rescue.She works in a center where blind people learn to read with the Braille alphabet.
They go from town to town, a big top on their backs, their show over their shoulder. They bring dreams and disorder to our lives. They are ogres, giants. They've devoured the theater and ... See full summary »
In San Francisco in 1850, a Russian Countess runs away from an arranged marriage to a Russian Prince and falls into the arms of an American sea captain who occasionally poaches seals in Russian Alaska.
Three guys in their twenties love wine and women but they are still virgins. Under the guise of a wine tour they embark on a journey to Spain hoping to have their first sexual experience. ... See full summary »
Roos Van Vlaenderen,
Robrecht Vanden Thoren
Lincoln, who's not yet 18, leads a straight life most of the time: he has a girl friend, goes to dances, jokes with guys. But he also has a secret life, in which he's drawn to dark places ... See full summary »
Walking down twenty-seven flights of stairs after the power goes out in the New York City office building he is in, David Stillwell emerges outside on the ground level to find that a man he didn't know either jumped or was pushed out a window to his death. That man was Charles Calvin, the head of Unidyne, a humanitarian organization that works toward world peace. David notices other unusual goings-on. What he considers his normal routine that others he knows should recognize, don't. People that he doesn't know seem to know him, such as the beautiful young woman with who he walked down the stairs but who ran off when they got to the bottom. And things that he thought he saw or thought he knew end up not being the case, such as the multiple sub-basement levels he thought were in that office building which don't seem to exist in the clear light of day. When he finally thinks about it, he believes he has some form of amnesia. As an example, he knows that he works as a cost accountant, but...Written by
The television set at David's (Gregory Peck's) apartment was the Zenith with mechanical wireless remote control. The spring-loaded remote produces commands via the ultrasonic clicks which are picked up and processed by the television. You can clearly hear the specific loud click when David turns it off with the remote. See more »
[Referring to the TV]
They got wrestling coming in from Chicago. I know it's supposed to be fixed, but so's everything else.
Why don't you just take the set?
Eh, now that all the Westerns have gone psycho, this is the only place where you can tell who the bad guys are.
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At T/P/O--Manhattan Island, 1965. One of the last black and white films shot at a big studio during the Sixties, this Hitchcockian thriller begs to be remade again. It was tried a second time as Jigsaw. Puzzling. I would have simply called it "The Cost Accountant." Watch the movie--you'll understand. The script propels the picture forward at a fascinating pace. It builds tension slowly. Fragments are revealed by quirky, off-beat characters. I greatly enjoyed the scenes between Gregory Peck and the abrasive psychiatrist. Peck finds him through a salesgirl's recommendation: a textbook written by a deceased author. Hit man House James Jr. has a great line of dialogue while poking a gun in Peck's ribs: "There ain't no Social Security in this line of work." In fact, every word that passes his lips is gold. Another great scene involves Peck, Diane Baker, and a cute little girl with a tea set. Prescious. George Kennedy is on hand to deliver some pain. Walter Mathau desires Dr. Pepper soft drinks and peanut butter sandwiches. He steals every scene he enters. Quincy Jones' score shows an abstract feel for what was to come later in the decade. Movie geek alert: I came up with 10 points of common ground between this film and Sydney Pollack's Three Days of the Condor. For example: both films have characters called "The Major." And, yes, that is "Mr. Willis" from the "Jeffersons", touting the virtues of a bird called the Ginko to a class of children. George would be proud.
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