In Istanbul, a young woman is attacked by six thugs and the agent Frank Milland who had set a rendez-vous with her, is outnumbered, and she dies. Frank is menaced later in order to stop his...
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During the civil war in Cyprus, an island nation split between the Greeks and the Turks, a British peacekeeping officer is trying to prevent a Greek guerrilla fighter from escalating the violent situation even further.
Jason and Adam are brothers who specialize in jewel heists. Jason is betrayed by Adam, who steals his girlfriend, and has him beaten and left for dead. A female doctor nurses him back to health, and he sets about planning his revenge.
Luke Barret loses his memory after a bullet grazed his head in a shoot-out in the wild West. Trying to discover the man who tried to kill him, he will discover he is a paid gunman too, and terrible truths about his family.
In Istanbul, a young woman is attacked by six thugs and the agent Frank Milland who had set a rendez-vous with her, is outnumbered, and she dies. Frank is menaced later in order to stop his inquiry about the thugs identities. Each clue he follows leads to more and more danger. Then he comes across Eva, a young woman who is the dead girl's spitting image; either she is her twin sister, or the woman who died in his arms. Eventually he encounters a mad sculptor, who is more than he pretends to be. Frank ends up a prisoner is an abandoned castle hidden in Turkey's mountainous hinterland, trying to save his own life and to prevent the development of a mysterious weapon that would put an end to civilization as we know it.Written by
Yeah,and in spite of the very poor rating.At the time ,France was trying to make its own James Bond movie.So they made a lot of OSS 117,Coplan,and other secret agents from the deuxième bureau.All of these attempts failed dismally because of the poor screenplays and the shoestring budgets which couldn't hold a candle to Salzman-Broccoli productions.
"Coplan sauve sa peau" is a different matter because the director is ,well,a true director:Yves Boisset was to become later an important -and often politically committed- auteur with such works as "RAS" (Algeria war) ,"Dupont Lajoie" (racism) or "Allons Enfants" (WW1).It is his first effort and it's really something that should be restored to favor.I'm sure Boisset was not that much interested in Paul Kenny's hero and novel.The screenplay is sometimes impossible to decipher anyway.It's much more the treatment,the atmosphere that matters .There are a lot influences here,particularly "the most dangerous game" and Count Zaroff whose shadow hangs over the ending;the two sisters recall "Vertigo" ;the dwarves Tod Browning and "freaks" ;Bernard Blier 's murder the Italian horror movies ;the fortress and its last door "secret beyond the door".But there are also hints at Greek mythology:the hunting which may (or may not) have been an ancient Hittite custom;Pandora's Box ;the gorgonia.Besides ,except for the last sequences,the hero is no longer the strong he-man:most of the times ,he seems to be completely overtaken by events .He's got his arm in a sling during the first third.The dialogue remains often obscure and the supporting cast-Bernard Blier,Jean Topart,Jean Servais- much better than the leads , gives a very nice tongue-in-cheek performance.
No masterpiece,but much better than most of spy thrillers of the sixties.
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