Stock car racer Tommy Callahan is forced to join Pete Madsen's thrill circus after his blackouts cause a fatal accident that gets him thrown off the circuit. He shows Pete's daughter ... See full summary »
A color-blind psychiatrist Bill Capa is stalked by an unknown killer after taking over his murdered friend's therapy group, all of whom have a connection to a mysterious young woman that Capa begins having intense sexual encounters with.
In Madrid, American bridge engineer Jerry Parker is about to board a plane for his flight back home to the USA when the Spanish police detains him at the airport. They search his luggage and find a priceless religious artifact that had been stolen from a Spanish monastery ten days before. The Spanish police inspector interviewing Parker is convinced of his innocence and explains to the shocked American that some criminal probably tried to use him as a courier to smuggle the object out of Spain. The object could fetch a million dollars on the black market. Nevertheless, despite Parker's innocence, the Spanish police ask for his help in locating the criminal who attempted the smuggling trick. Parker refuses to get involved since he's in a hurry to return home for his upcoming wedding in four days time. Desperate for his help, the police inspector claims there are some irregularities with Parker's passport and it could take a few weeks to clarify the issue. Sensing the blackmail trick, ...Written by
In the obituary for Tab Hunter in the "New York Times", the obituary cites how Tab Hunter wrote in his memoir that he was in Madrid in 1967 to make "The Christmas Kid" and ran into Jeffrey Hunter, who was there to make "The Cups of San Sebastian".
Figuring that the producers of either movie wouldn't know the difference between Tab and Jeffrey, they decided to switch roles. Neither the producers nor anyone else involved with the making of either movie, apparently, knew the difference either. See more »
Spanish-made comic mystery with hilarious Tab Hunter performance
This little-known Spanish comedy, with an outrageous performance by Tab Hunter, was one of the many low-budget films made in Spain in the mid-late 1960s by producer Sidney Pink. These generally tended to be quirky films, much too quirky to be Hollywood products, and featured interesting American stars--Barry Sullivan, Guy Madison, Cesar Romero, Jeff Hunter, Rory Calhoun, and here Tab Hunter. Pink discussed this film in his autobiography, and he made it quite clear that he did not get along with star Tab Hunter. Hunter has always had a flair for comedy, and he is quite funny in this film, which is basically the standard "American overseas who gets caught up unintentionally in some intrigue" plot. Perhaps because he was outside of Hollywood and his Hollywood image while in Spain, Hunter lets himself go here with a performance that rivals his one in THE AROUSERS as his most over-the-top. Many of his gay fans will probably love this film if they can find a copy. The supporting roles--Luis Prendes as an annoying drunk who sticks to Hunter like flypaper, Gustavo Rojo and Fernando Hilbeck as comic impediments to Hunter's progress, Pedro Mari Sanchez as a boy who does chores for Hunter and eventually becomes a friend-- are handled well. Interestingly, the film was directed by Richard Rush, of Psych-Out and Stunt Man fame. How he got involved with this film and what he thought of it must be an interesting story. Unfortunately, the video copy of this that circulated in the budget bin in the 1980s is in black and white AND has cheesy new video titles-- the film was released theatrically in the US in 1967 in color. I hope someone will release this legitimately in color and with the full credits. I would love to have a commentary track by Tab Hunter himself, or director Richard Rush--or maybe they could be recorded separately and we could get both perspectives. Anyway, I won't be expecting a DVD release of this anytime soon. Still, the budget video of this can probably be found used, and it's a worthwhile purchase for Tab Hunter fans (such as me!) or fans of Sid Pink's 60s Spanish body of films. Hunter's autobiography is supposedly coming out next year, although I doubt that this film is significant enough to rate much coverage there. Hunter fans are also advised to check out his fine Italian western SHOTGUN (fine except for an awful musical sequence near the beginning) and his euro-spy film THE LAST CHANCE (and if anyone could help me with finding his other euro-film LEGION OF NO RETURN, please get in touch!). Overall, a fun low-budget comedy with Tab Hunter in fine form.
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